构成主义实践对现代视觉传达设计的影响

现代视觉传达设计已经成为我们生活的重要组成部分。以视觉为中心的视觉文化符号传播系统正向传统的语言文化符号传播系统提出挑战。俄国构成主义以及莫霍利·纳吉等在构成主义实践中对理性的思考、形式的挖掘、画面信息的强调和视觉经验的突破,深刻影响着现代视觉传达设计,并为其确立了操作的规范。     

基于标记语言的并行多核编程方法

提出一种在多核平台上的快速多线程编程模型ThreadXML。该模型通过使用标记语言形式,提高程序的开发效率,支持可视化,增强并行程序设计的移植性。其中,语言模型编译器的实现采用代码模板技术和面向对象技术相结合的方式,能将ThreadXML源代码转换成目前可执行的程序代码,辅助可视化工具采用图元对象和代码模板技术实现。     

Using a Visual Attention Model to Improve Gaze Tracking Systems in Interactive 3D Applications

This paper introduces the use of a visual attention model to improve the accuracy of gaze tracking systems. Visual attention models simulate the selective attention part of the human visual system. For instance, in a bottom‐up approach, a saliency map is defined for the image and gives an attention weight to every pixel of the image as a function of its colour, edge or intensity. Our algorithm uses an uncertainty window, defined by the gaze tracker accuracy, and located around the gaze point given by the tracker. Then, using a visual attention model, it searches for the most salient points, or objects, located inside this uncertainty window, and determines a novel, and hopefully, better gaze point. This combination of a gaze tracker together with a visual attention model is considered as the main contribution of the paper. We demonstrate the promising results of our method by presenting two experiments conducted in two different contexts: (1) a free exploration of a visually rich 3D virtual environment without a specific task, and (2) a video game based on gaze tracking involving a selection task. Our approach can be used to improve real‐time gaze tracking systems in many interactive 3D applications such as video games or virtual reality applications. The use of a visual attention model can be adapted to any gaze tracker and the visual attention model can also be adapted to the application in which it is used.     

Cross‐talk acceptability in natural still images for different (auto)stereoscopic display technologies

Abstract— One of the most annoying distortions in (auto)stereoscopic displays is probably cross‐talk, visible as double edges, which is mainly caused by an imperfect separation of left‐ and right‐eye images. For different types of three‐dimensional (3‐D) displays, cross‐talk is caused by different origins, which could result in different levels of perceived image distortion. To evaluate the influence of (auto)stereoscopic display technology on cross‐talk perception, optical measurements and subjective assessments were performed with three different types of 3‐D displays. It is shown with natural still images that the 3‐D display technology with the lowest luminance and contrast level tolerates the highest level of cross‐talk, while still maintaining an acceptable image‐quality level.     

基于TS201的CPCI嵌入式视频采集卡硬件设计

针对视觉跟踪系统中数据量大、运算量大和实时性高的特点,选用片内存储器高达24M bits,主频高达600MHz的ADSP-TS201处理器作为运算核心,设计了视频采集与处理专用硬件平台,同时配以现场可编程门阵列FPGA实现逻辑控制,选用便于机载和舰载的CPCI总线完成本系统与上位机的数据传输;指出了设计中需要注意的问题,并讨论了其中一些关键部分的具体实现;经过实际测试验证,本硬件平台设计正确合理,运算能力强大,达到了设计要求。     

论信息学科平台课程群立体可视化教育资源体系的构建

介绍了项目组围绕信息学科平台课程群立体化教育的教学理念、模式、教材、资源和方法,阐述如何构建信息学科平台课程群的立体可视化优质教育资源体系,培养学生的IT应用开发能力和软件设计能力。     

Dynamic feedback robust stabilization of nonholonomic mobile robots based on visual servoing

This paper investigates the visual servoing robust stabilization of nonholonomic mobile robots. The calibration of visual parameters is not only complicated, but also needs great consumption of calculated time so that the accurate calibration is impossible in some situations for high requirement of real timing. Hence, it is interesting and important to consider the design of stabilizing controllers for nonholonomic kinematic systems with uncalibrated visual parameters. A novel uncertain model of these nonholonomic kinematic systems is proposed. Based on this model, a stabilizing controller is discussed by using dynamic feedback and two-step techniques. The proposed robust controller makes the mobile robot image pose and the orientation converge to the desired configuration despite the lack of depth information and the lack of precise visual parameters. The stability of the closed loop system is rigorously proved. The simulation is given to show the effectiveness of the presented controllers.     

浅析插画艺术中的潜意识表现

插画创作需要创新,创新来自灵感,灵感需要突发,需要潜意识的表现,超常规非现实、从潜意识的深渊流溢出的灵感在插画艺术中的运用赋予了受众丰富的想象空间。插画艺术的创作应该用形象语言说话,将现实的插画艺术通过潜意识的表现,丰富思维转化成视觉元素。本文在于正确认识和激发潜意识,在创作时不断地用充满希望与期待的画面与潜意识交谈,让我们的插画艺术更具识别和视觉冲击力。     

绘画创作意象论

中国古典美学体系实质上是以"意象"为基础范畴的审美本体体系,绘画美学则侧重于从艺术的角度看待审美,所以"意象"就成为美学本体论的基本范畴。中国古典美学将"象"作为本体之基,是通过对"象"的观察去把握"道",中国绘画创造的思维过程实质上就是意象的思维过程。本文立足从中国画的创作思维的角度探究意象的形成步骤,以达到对情和景二种基本因素构成的"意象",这一中国古典美学的审美本体做出全面的诠释。     

浅谈无障碍色彩设计

无障碍色彩设计是一个面向所有公众的设计系统,该系统的最终目标为创建无障碍可视环境,使信息尽可能准确地传达给更多的公众。本文通过提出我国在视觉信息无障碍建设方面的不足,从视觉障碍人群的类别和色彩认知特点进行归类分析,提出用无障碍色彩设计来创建视觉信息的无障碍环境。