客家土楼中的象征文化浅析

客家土楼以其鲜明的风格成为世界建筑艺术的一朵奇葩,其中蕴含着丰富的象征文化.试从象征的源起及在建筑中的具体体现等方面,对客家土楼中的象征文化进行诠释.通过研究其中的象征文化,有助于更完整地认识客家土楼建筑文化的全部涵义.     

当代信息传播设计的趋势和走向

通过信息社会人类对信息感知的扩展性研究 ,从信息感知方式及思维形态的差异性来分析传统印刷文化与当代视屏文化的异同 ,以图形语言的变化来揭示当代视觉传播设计技术特征、视觉特征、多元化语言特征以及发展趋势     

Backscattered electron imaging of the undersurface of resin-embedded cells by field-emission scanning electron microscopy

In this study backscattered electron (BSE) imaging was used to display cellular structures stained with heavy metals within an unstained resin by atomic number contrast in successively deeper layers. Balb/c 3T3 fibroblasts were cultured on either 13-mm discs of plastic Thermanox, commercially pure titanium or steel. The cells were fixed, stained and embedded in resin and the disc removed. The resin block containing the cells was sputter coated and examined in a field-emission scanning electron microscope. The technique allowed for the direct visualization of the cell undersurface and immediately overlying areas of cytoplasm through the surrounding embedding resin, with good resolution and contrast to a significant depth of about 2 μm, without the requirement for cutting sections. The fixation protocol was optimized in order to increase heavy metal staining for maximal backscattered electron production. The operation of the microscope was optimized to maximize the number of backscattered electrons produced and to minimize the spot size. BSE images were collected over a wide range of accelerating voltages (keV), from low values to high values to give ‘sections' of information from increasing depths within the sample. At 3–4 keV only structures a very short distance into the material were observed, essentially the areas of cell attachment to the removed substrate. At higher accelerating voltages information on cell morphology, including in particular stress fibres and cell nuclei, where heavy metals were intensely bound became more evident. The technique allowed stepwise ‘sectional’ information to be acquired. The technique should be useful for studies on cell morphology, cycle and adhesion with greater resolution than can be obtained with any light-microscope-based system.     

Vertical sections of cultivated anchorage-dependent cells for electron microscopy

A method is described for electron microscopic preparation of cultivated cells for vertical sections using the test chamber system TCSC-1. The cells are cultivated on a special foil. They can be fixed and embedded directly in the chamber. After polymerization of the resin, the foil can be easily taken off and a second resin layer is poured upon the embedded cells. Then distinct cells can be marked under an inverted light microscope. The bilayer of the resin allows optimal conditions for vertical sections of anchorage-dependent cells.     

造就自我的企业文化

论述了要造就自我的企业文化,就要努力去造就光辉的企业立体形象,即：企业的物质形象、精神形象及行为形象。并应以此作为企业文化的战略目标,以抓复合名牌效应为战术原则。     

Review of Evolution, culture and the human mind.

Reviews the book, Evolution, culture and the human mind edited by M. Schaller, et al. (see record 2009-20004-000). This current volume, Evolution, culture and the human mind, follows the lead of Wundt where an attempt is made to provide a synthesis of theory and data across psychological subfields into a holistic framework. Norenzayan, Schaller, and Heine begin the volume with an overview of the scope and themes that arose from their 2004 conference at the University of British Columbia on “Mind, Culture and Evolution.” Explicit throughout this volume is an effort to bridge the “yawning chasm” between perspectives of evolutionary determinism and cultural constructionism. In doing so, there is interest in providing a rigorous multidisciplinary scientific effort to solve this foundational problem for psychology. As such this volume provides an interesting and insightful examination of the evolution of consciousness, cognition, decision-making, actions, and cultural norms in terms of collective consequences and genetic mechanisms. The volume is divided into three sections where several dialectical themes (theory/data, top-down/bottom-up, ecological/social, diversification/integration) are woven throughout. Overall the volume offers nice flow from one collection of essays to the next as themes are picked up and let go, only to return later on. This volume shows a dominance of natural science (cross-cultural) inclinations where some readers may call for more voice given to phenomenological and hermeneutical (cultural) human science contributions. Other critics may challenge the reliance upon correlational, comparative, and post hoc data to bolster claims of causality in support of various theoretical suppositions. (PsycINFO Database Record (c) 2010 APA, all rights reserved)     

基于中国传统龙椅文化的现代家具设计研究

"龙椅"是一个具有强烈民族情感的词语,在现代椅子的设计中出现大量以"龙椅"为创作元素的作品,本研究通过对这种艺术现象的成因分析,寻找现代中式家具设计的文化道路.     

论包装设计生态化与民族文化

论述了包装生态学与产品之间以及人与自然的关系.从民族文化历史、人文以及风土人情的角度,分析比较国内外各民族文化的特色,从而使中国的设计水平能达到天人合一的境界寻找理论依据.     

江南园林文化因子提取及设计应用研究

目的构建江南园林文化因子的提取模型,科学而理性地挖掘与提炼具有识别性的设计元素,结合实践以验证方法的可行性和可靠性。方法建立江南园林文化因子提取及应用研究框架,采用定性和定量相结合的方法提取花窗、洞门、色彩、意蕴4个设计因子,计算各因子的重要性并将研究成果应用于产品设计。结论使用科学的因子提取方法能够提取特征鲜明的江南园林文化设计因子,提升产品的文化内涵,以系统、科学、合理的方法指导创意产品设计实践。