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以《中国大学生英汉汉英口笔译语料库》中的口语语料为数据来源,从2007年英语专八口语测试的汉译英部分,随机抽取100位考生的语料作为研究对象,分析考生口语输出中的错误,探究英语专业学生口语输出中言语错误的自我意识情况。 相似文献
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The present research investigated how individual, interpersonal, and cultural variables influence positive self-presentation in online social networking. In particular, we examined the role of self-consciousness, actual-to-total Friends ratio, and culture in positive self-presentation on Facebook. A cross-sectional survey was conducted with college-age participants in the United States (n = 183) and South Korea (n = 137). Results showed that self-consciousness (public vs. private) and actual-to-total Friends ratio were not significantly associated with positive self-presentation on Facebook; however, culture showed a statistically significant association with positive self-presentation on Facebook, with the U.S. participants engaging in positive self-presentation on Facebook to a greater extent than the South Korean participants. More interestingly, culture significantly moderated the relationship between public self-consciousness and positive self-presentation as well as the relationship between actual-to-total Friends ratio and positive self-presentation. Specifically, positive self-presentation showed a significant positive association with public self-consciousness and a significant negative association with actual-to-total Friends ratio only among the South Korean participants and not among the U.S. participants. Theoretical and practical implications for understanding cross-cultural differences in self-presentation behaviors on social network sites were discussed. 相似文献
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文章介绍了中国工程院咨询研究项目《当代中国建筑设计现状与发展研究》的报告,梗概性地说明了该项目的缘起和构成,着重分析和阐释了报告中五个与建筑创作关系密切的,也是建筑师关心的深层问题:从城市建设乱象看主导阶层价值观的混乱;城市建筑文化的同质化与泛西方化;权力决策代替法洽与科学;严峻的创作生态;混沌的建筑学科定位。并简要说明了报告的下篇中回应这些问题的主要思考,包括跨文化对话,文化自觉和自信及建筑师创新的基本条件的制度建设。 相似文献
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戴惠 《徐州工程学院学报》2004,(3)
作为一名女作家,施叔青善于准确、细腻地把握住现代女性在人欲、物欲横流的世界中的艰难处境,以婚姻、性爱为切入点,表现出了男性作家所无法涉足的现代女性的隐秘心理与情感欲望,显示出较鲜明的"现代女性主体意识"。正是这种"女性主体意识",使得施叔青对现代女性的生存状态和精神危机给予了深层观照与反思。 相似文献
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Hing-wah Chau 《建筑学研究前沿(英文版)》2015,4(2):146
The three contemporary Chinese architects, namely Yung Ho Chang, Liu Jiakun, and Wang Shu, have often been labeled as the ‘avant-garde’ or xianfengarchitects in China. In response to the xianfeng architect label, Wang claims that he is a houfeng(rear-guard) architect because of his obsession with traditions. This paper aims to discuss the appropriateness of labeling these architects as ‘avant-garde,’ xianfeng, or houfeng. Through the theoretical analysis of western discourse, notable attributes of the western architectural avant-garde are identified, and a tentative framework is developed to test its validity and usefulness in a non-western context. The term youfeng is arguably a better phrase to describe these three Chinese architects considering the heterogeneous trajectory of modernity in China. 相似文献
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