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101.
冯寅  张祥 《计算机学报》1993,16(5):393-396
一首民歌的音高、时值及调性的辨识,是通常自动记谱系统设计中必须面临的基本问题,针对我国民歌的特点,本文提出一种动态的音高及时值的分析法,以及基于统计的调式分析法,实验结果表明,这些方法是成功的。  相似文献   
102.
智能化建筑的广播音响系统原理及系统集成设计   总被引:1,自引:0,他引:1  
本根据相关的火灾自动报警系统设计规范,就智能化建筑的广播音响系统的设计及其工作原理、如何集成背景音乐和紧急广播这两个系统,提出了一种方案,以供探讨。  相似文献   
103.
Comments on the analysis by Florence Denmark (December 1980) on the place of women in psychology and their lack of recognition and compensation, despite considerable achievement, and discusses parallels in the field of music. (PsycINFO Database Record (c) 2010 APA, all rights reserved)  相似文献   
104.
"A vocabulary of metaphorical terms used to describe voice qualities was drawn from the writings of four music critics. The Ss who were not well informed about music listened to recordings of nine operatic voices and assigned terms from the metaphorical vocabulary to these voices. Many of the words were used with agreement and discrimination. Factor analysis of the results yielded three factors [evaluation, potency, activity] similar to those found in the more general factor analysis of linguistic meaning made by Osgood and Suci." (PsycINFO Database Record (c) 2010 APA, all rights reserved)  相似文献   
105.
This paper describes a musical instrument identification method that takes into consideration the pitch dependency of timbres of musical instruments. The difficulty in musical instrument identification resides in the pitch dependency of musical instrument sounds, that is, acoustic features of most musical instruments vary according to the pitch (fundamental frequency, F0). To cope with this difficulty, we propose an F0-dependent multivariate normal distribution, where each element of the mean vector is represented by a function of F0. Our method first extracts 129 features (e.g., the spectral centroid, the gradient of the straight line approximating the power envelope) from a musical instrument sound and then reduces the dimensionality of the feature space into 18 dimension. In the 18-dimensional feature space, it calculates an F0-dependent mean function and an F0-normalized covariance, and finally applies the Bayes decision rule. Experimental results of identifying 6,247 solo tones of 19 musical instruments shows that the proposed method improved the recognition rate from 75.73% to 79.73%. This research was partially supported by the Ministry of Education, Culture, Sports, Science and Technology (MEXT), Grant-in-Aid for Scientific Research (A), No.15200015, and Informatics Research Center for Development of Knowledge Society Infrastructure (COE program of MEXT, Japan). Tetsuro Kitahara received the B.S. from Tokyo University of Science in 2002 and the M.S. from Kyoto University in 2004. He is currently a Ph.D. course student at Graduate School of Informatics, Kyoto University. Since 2005, he has been a Research Fellow of the Japan Society for the Promotion of Science. His research interests include music informatics. He recieved IPSJ 65th National Convention Student Award in 2003, IPSJ 66th National Convention Student Award and TELECOM System Technology Award for Student in 2004, and IPSJ 67th National Convention Best Paper Award for Young Researcher in 2005. He is a student member of IPSJ, IEICE, JSAI, ASJ, and JSMPC. Masataka Goto received his Doctor of Engineering degree in Electronics, Information and Communication Engineering from Waseda University, Japan, in 1998. He then joined the Electrotechnical Laboratory (ETL; reorganized as the National Institute of Advanced Industrial Science and Technology (AIST) in 2001), where he has been engaged as a researcher ever since. He served concurrently as a researcher in Precursory Research for Embryonic Science and Technology (PRESTO), Japan Science and Technology Corporation (JST) from 2000 to 2003, and an associate professor of the Department of Intelligent Interaction Technologies, Graduate School of Systems and Information Engineering, University of Tsukuba since 2005. His research interests include music information processing and spoken language processing. Dr. Goto received seventeen awards including the IPSJ Best Paper Award and IPSJ Yamashita SIG Research Awards (MUS and SLP) from the Information Processing Society of Japan (IPSJ), Awaya Prize for Outstanding Presentation and Award for Outstanding Poster Presentation from the Acoustical Society of Japan (ASJ), Award for Best Presentation from the Japanese Society for Music Perception and Cognition (JSMPC), WISS 2000 Best Paper Award and Best Presentation Award, and Interaction 2003 Best Paper Award. He is a member of the IPSJ, ASJ, JSMPC, Institute of Electronics, Information and Communication Engineers (IEICE), and International Speech Communication Association (ISCA). Hiroshi G. Okuno received the B.A. and Ph.D from the University of Tokyo in 1972 and 1996, respectively. He worked for Nippon Telegraph and Telephone, Kitano Symbiotic Systems Project, and Tokyo University of Science. He is currently a professor at the Department of Intelligence Technology and Science, Graduate School of Informatics, Kyoto University. He was a visiting scholar at Stanford University, and a visiting associate professor at the University of Tokyo. He has done research in programming languages, parallel processing, and reasoning mechanism in AI, and he is currently engaged in computational auditory scene analysis, music scene analysis and robot audition. He received the best paper awards from the Japanese Society for Artificial Intelligence and the International Society for Applied Intelligence, in 1991 and 2001, respectively. He edited with David Rosenthal “Computational Auditory Scene Analysis” from Lawrence Erlbaum Associates in 1998 and with Taiichi Yuasa “Advanced Lisp Technology” from Taylor and Francis Inc. in 2002. He is a member of IPSJ, JSAI, JSSST, JSCS, ACM, AAAI, ASA, and IEEE.  相似文献   
106.
The development of the Aliferis Music Achievement Test, which in its final edition consists of 26 melodic items, 18 harmonic items, and 20 rhythmic items, is described. Distributions of test mean scores for a national sample of college music students are given by geographic region and type of institution. For a sample of 177 Ss, correlations between freshman honor-point ratios in music courses and test scores were .54 (melodic), .41 (harmonic), .46 (rhythmic), and .61 (total score). (PsycINFO Database Record (c) 2010 APA, all rights reserved)  相似文献   
107.
Replicates, in a naturalistic setting, a prior finding which supported that portion of the "arousal hypothesis" which predicts that a certain degree of noise will actually increase activity. Music was varied from loud to soft in 8 counterbalanced experimental sessions in 2 large supermarkets (N = 1100). The "arousal hypothesis" seems to account for the results: significantly less time was spent in the markets during the loud session, although there was no significant difference in sales, nor in the customers' reported satisfaction. (PsycINFO Database Record (c) 2010 APA, all rights reserved)  相似文献   
108.
基于谱减算法语音增强的研究   总被引:1,自引:0,他引:1  
谱减法是处理宽带噪声较为传统和有效的方法,它的运算量较小,容易实时实现,增强效果也较好.比较详细地叙述了谱减法的基本原理和降低音乐噪声的方法.  相似文献   
109.
This paper studies the effect of musical stimulations on the capability of the spatial learningmemory in developing rats by behavioral and electrophysiological techniques. Rats, which are exposed to Mozart's Sonata for Two Pianos in D Major, complete learning tasks of the Moriss water maze with significantly shorter latencies, and the power spectrum of alpha band of electrohippocampogram (EHG) significantly increase, compared with the control rats and rats exposed to the horror music. The results indicate that if given the stimulation of Mozart music in the developmental period of the auditory cortex, the capability of the spatial learning-memory can be significantly changed. The enhancement of alpha band of EHG may be related to the change of this function mainly.  相似文献   
110.
从设计的角度 ,针对建筑物中背景音响与消防广播怎样进行有机的结合 ,使两者很好地统一 ,从而达到既能满足消防广播的要求 ,又能舒适方便地使用背景音响指出了解决方案 ,并对广播的调音及开关控制进行探讨。  相似文献   
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