情感化视角下黎锦文创产品设计研究

目的 以实现“非遗”文化在当代的创造性传承与发展为目的,从情感化设计的视角探究“非遗”黎锦文创产品的创新设计路径。方法 首先,采用文献研究法对黎锦的艺术特色和文化意蕴进行提炼;其次,结合文献分析、问卷调查和实地考察,对黎锦文创产品的设计研究现状及用户特点进行分析;再次,通过对黎锦文创产品进行情感化的层次分析,从三个层面设计黎锦文创产品的情感化方法模型,即基于“美”的视觉营造、基于“趣”的互动创新、基于“思”的隐喻构建;最后,以设计实践验证该方法。结论 让情感化理念介入黎锦文创产品设计,有助于设计师寻找到现代用户与黎锦文创之间的情感共鸣点,从外到内,层层提升黎锦文创产品的情感吸引力,实现产品与用户之间的持久性连接,进而使“非遗”黎锦在当代生活中焕发新的活力。     

Understanding continuance usage of mobile shopping applications in India: the role of espoused cultural values and perceived risk

We drew on the unified theory of acceptance and use of technology (UTAUT2) model, and perceived risk construct to propose an integrated model to explain continuance usage of mobile shopping applications. Espoused national cultural values of individualism/collectivism, masculinity/femininity, power distance, uncertainty avoidance, and long-term/short-term orientation act as moderators to examine the influence of within-culture variation on app usage. Findings reveal habit as the strongest predictor of both continuance intention and use behaviour, but interestingly perceived risk did not influence the post-acceptance behaviour of users significantly. Individualism/collectivism, masculinity/femininity, and long-term/short-term orientation espoused cultural values significantly moderated the relationships in the model. Noteworthy theoretical and managerial implications of the research are discussed further.     

Striking Patterns: Contemporary Ikat Design and Its Future

This review presents the results of a conference on ikat textiles organized in the context of the exhibition Striking Patterns: Global Traces in Local Ikat Fashion at the Museum der Kulturen Basel, Switzerland (October 2016 to March 2017). Academics and professional experts, some of them working for NGOs, debated often neglected potentialities as well as the future of contemporary ikat design and other intricately patterned handwoven textiles: the significance of new patterns; intellectual property rights; and educational encouragement. The general focus lay on the controversially perceived innovation of textile patterns in Indonesia and Timor-Leste. We will here present the main arguments of the discussion and our own suggestions for further research.     

百年江苏乡村建设文化景观图像变迁的类型学研究

江苏水网密布、物产丰富、人文荟萃,人们在乡村建设过程中创造了以文化物证为主要特征的聚落景观,以及与地方政治、经济、文化、科技等相关联的非物质文化景观。在新时代乡村建设语境下,通过系统地观察百年来江苏乡村建设文化景观图像变迁的轨迹,旨为江苏乡村振兴的全面实施和探寻内生的文化凝聚力提供参考依据。从类型学研究视角,通过类同研究与异质研究,解析20世纪初至今江苏乡村建设文化景观的生成逻辑。百年江苏乡村建设文化景观图像按照功能可分为四大类型,即生态景观、产业景观、生活景观和生命景观,它们四位一体、融合共生,共同构建起百年江苏乡村建设的文化景观系统,记录着江苏乡建百年的变迁轨迹与集体的文化记忆。     

Confucian and Socratic learning.

Replies to the comments by R. A. R. Gurung (see record 2003-03405-011) and J. Li (see record 2003-03405-012) regarding comments on the article by R. G. Tweed and D. R. Lehman (2001) which stated that a Confucian-Socratic framework provides a structure for analyzing culture-influenced aspects of academic learning. In this article, Tweed and Lehman argued that these ancient exemplars model approaches to learning continue to differentiate students within a modern Canadian postsecondary context. In this reply, Tweed and Lehman advise caution in how Gurung placed their Confucian-Socratic framework within the context of prior theory on education and epistemological development because these models were developed exclusively in the West. Furthermore, Tweed and Lehman believe that Li's argument misinterpreted their article, and that they should of consistently used the term "personal reform" rather than "behavioral reform" in order to communicate the depth of personal change envisioned by Confucius. (PsycINFO Database Record (c) 2010 APA, all rights reserved)     

酿酒用根霉菌株培养特性的研究

对国内使用较广的根霉菌株C-24,Q303,3866,702和YG 5-5的产酶作对比试验研究,考察了培养基、加水量、培养温度以及原料对产酶的影响和根霉曲制作过程中的理化性质变化,探索其最佳制曲条件。结果表明,用三角瓶曲试饭糖化力可达5849 mg G/g.h。产酶最适品温为33～35℃,用麸皮作固体培养基加水50%～60%培养,C-24根霉曲的试饭糖化力最高。     

论明代青花瓷鸟纹的审美特征与文化内涵

鸟纹是明代青花瓷装饰题材中的重要组成部分,在明代各时期有着不同的发展轨迹,具有丰富的审美特征和文化内涵。从审美特征来看,明代青花瓷鸟纹具有装饰之美、神韵之美、自然之美三大特征;从文化内涵来看,明代青花瓷鸟纹具有吉祥寓意、文人旨趣、时代思潮等内涵。     

古雅之中见光华——试论广西坭兴陶的无釉窑变艺术

广西钦州坭兴陶在雕刻、成型、窑变方面自成一家,具有独特的艺术风格和地域特征,尤其是它的无釉窑变艺术,展示了其古朴素雅之外光华艳丽的一面,成为艺术风格的一大亮点。本文从坭兴陶窑变与雕刻、磨光等装饰手段的关系以及窑变外在特征方面分析阐述这种独特的窑变现象,从而揭示其浑然天成的个性审美内涵。     

“四缘”文化视域下的景德镇民窑生产

景德镇是移民城市,在千年陶瓷业生产历史中,来自＂四方八域＂的移民为景德镇陶瓷生产做出了重大贡献,成就了千年＂瓷都＂辉煌。在陶瓷生产中,来自各地的瓷业从业人员按照地缘、血缘、业缘、志缘结合起来,实现自身利益的最大化。     

论唐山陶瓷发展的欠缺环节——陶瓷首饰

唐山以骨质瓷为原材料的日用陶瓷而闻名中外。但是,和南方一些陶瓷城市相比,唐山的陶瓷行业还是存在着一些局限性问题。本课题就唐山陶瓷行业缺少陶瓷首饰设计的问题进行论述,与江西景德镇蓬勃发展的陶瓷首饰行业进行对比分析研究.