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51.
Juan M. Loaiza 《连接科学》2016,28(4):410-422
This paper proposes a way of understanding the confluence of the enactive approach to cognition and musicology in a wider sense. The implication is that existing socio-cultural approaches to meaning in music – whereby music is seen as a total social phenomenon, and the naturalistic view of music cognition may be articulated via the life-mind continuum proposed by enactivism. On the one hand, discussions on embodied music cognition are presented with the opportunity to overcome their de facto individualism in a principled, naturalistic way. On the other hand, for the socio-cultural-historical approaches the opportunity seems to be to move beyond the biology-culture divide without submitting to reductionism. A wider explanatory unit is presented. The explanatory utility of embodiment is examined in relation to the wider frame of social-life in dialectical fashion. A definition of musicking is sketched considering it as an instance of processes of social-life. This paper signals a direction to take, yet methodologies, results, and homologies with other disciplines are left open to further discussion. 相似文献
52.
While digitization of music, particularly streaming services, has gained increasing popularity, it has also led to a steady decline in the revenues of recorded music industry. This is causing strong concern regarding a potential collapse of the music industry comparable to other print media industries such as newspaper and book publishing.However, recent changes in the music industry initiated by a resurgence of the live music industry are giving rise to some expectations for the survival and growth of the music industry. The parallel paths of increasing popularity of streaming services and a resurgence of live music suggest that these two dynamics are working together in a co-evolutionary way toward the sustainability of the music industry.This paper attempts to elucidate the co-evolutionary dynamism between the increasing popularity of streaming music and the resurgence of live music.An empirical analysis of monthly trends over the period of the last three decades in the US music industry by its sectors revealed that (i) the co-evolution between streaming and live music industries has functioned well over the last few years, (ii) the live music industry has incorporated a self-propagating function by assimilating innovations previously initiated by digital music, (iii) given the above co-evolution, the recent resurging trend in the music industry can be sustained, (iv) the advancement of digital innovations such as artificial intelligence, machine learning, fintech, virtual reality, big data, and social media by enabling such coevolution have transformed the live music industry into a “live-concert-streaming music industry” (LCSMI) that further enabling the participative creativity of its stakeholders. For these collaborative and cultural industries to function in harmony, trust between its participating stakeholders is very crucial.This analysis suggests the significance of a trust-based ICT-driven disruptive business model (IDBM) with a consolidated challenge for social demand (CCSD) for the development of cultural industries. 相似文献
53.
论音乐教育对学生非智力因素的培养 总被引:3,自引:0,他引:3
李振铎 《承德石油高等专科学校学报》2001,3(3):40-41,47
音乐教育不止在美育范畴,在开发智力、特别是在培养人的非智力因素上有其独特的功效。音乐可以激发情感、陶冶情操、振奋精神、提高道德品质、坚定理想信念;音乐能激励人们张开想象的翅膀,培养想象力和创造力;学习、欣赏音乐能提高人的记忆力、注意力、感受力和意志力;参与音乐活动能培养人的自信心、团结协作能力和组织纪律性。 相似文献
54.
Though condensed between the stages of design and completion, the conventional process of designing a building is time consuming, involving various stakeholders, planning processes and a wide team of consultants and contractors. What happens, though, if the time period of an architect's involvement is expanded? How might a more process-orientated approach shift the role of the architect? Tobias Armborst, Daniel D'Oca and Georgeen Theodore , principals of Interboro Partners in New York, describe how they have developed projects that have sought opportunities in expanding the timescale and remit of traditional practice. 相似文献
55.
化学微型实验,顾名思义:“实验药品微量化,实验仪器微型化”。根据微型实验的特点和要求,可以将一些普通的化学实验改造为微型实验,运用微型化的仪器进行化学实验。一方面,降低了实验成本,减少了环境的污染,体现了绿色经济的理念。另一方面,提高了学习者学习化学实验的兴趣,促进了新的教学模式的发展,体现了科学创新的理念。 相似文献
56.
57.
Photorealistic computer animation sequences have become more important in recent years in visualization and presentation techniques as well as in fine arts. Some aspects of creating a photorealistic computer animation are demonstrated by the following example of the film Illusion that was created by the computer graphics team at the University of Karlsruhe. An overview of modelling methods, some special effects and details on how to administrate a large computer animation project are presented. 相似文献
58.
随着喷泉钟运行可靠性的提升和激光技术的日趋成熟,喷泉钟不仅可以作为基准钟驾驭原子时标,提升原子时标的长
期稳定度和准确度指标,还可以紧驾驭氢钟作为复合守时钟使用。 铷原子的基态超精细能级跃迁作为次级秒定义,具有碰撞截
面小,冷却激光运行可靠性高的优势,更加适合工程化。 中国计量科学研究院研制的工程化铷原子喷泉钟采用双金属微波真空
一体腔提升系统温度适应性,采用小型化光学系统和笼式结构探测光系统提升了运行可靠性,实现了铷喷泉钟长期准连续运
行,年运行率达到 97. 5% 。 通过 1 年的比对测试,铷喷泉钟与 NIM5 铯喷泉钟频率比对的长期稳定度优于 3. 7×10
-16
,单台喷泉
钟的长期频率稳定度优于 2. 6×10
-16
。 相似文献
59.
李晓琳 《北京印刷学院学报》2013,(5):80-83
《乐聆》作为私人音乐电台,是移动应用产品的设计个案。它与传统音乐电台相比,在传播、交互设计上有着人性化、深入性的特点。《乐聆》的策划设计者通过细致且深入地分析文本内容,包括歌曲选择、与受众互动等多个方面,研究交互设计方法,探究用户行为驱动下的产品特点,打造出了一款人性化的、被受众喜爱的移动应用产品。 相似文献
60.
目前,阳图热敏CTP版材在印刷行业中已经广泛使用,为了指导其在印刷过程中的正确使用,提高耐印力,本文研究了专利中介绍的阳图热敏CTP版材的感光涂层组分中不同种类的成膜树脂和添加树脂在异丙醇中的溶解速率和溶解度差异,主要研究了以上不同种类的树脂按照一定配方制成版材后的抗醇性、耐磨性模拟耐印力检测实验的方法和抗醇性、耐磨性和模拟耐印力实验检测的性能差异。实验结果表明:不同种类的成膜树脂和添加树脂在异丙醇中的溶解速率和溶解度不同,制成版材后版材的抗醇性也不同,溶解速率和溶解度大的树脂制成的版材抗醇性差,但是耐磨性和醇中的溶解性并无直接关系。通过对以上结果分析,影响阳图热敏CTP版材耐印的因素中抗醇性和耐磨性是两个重要的方面,其中耐醇性占主要作用。不同种类的阳图热敏CTP版材在印刷过程中对使用的润版液的异丙醇耐受力不同,根据溶解度参数理论,指导研发过程中树脂种类的筛选和优化,同时指导正确使用润版液,尤其控制好醇类使用量可以克服版材在印刷过程中掉版和耐印力低的问题。指出了阳图热敏CTP版材在印刷过程中向着使用无醇润版液的趋势发展,于此同时阳图热敏CTP版材的研制向着提高抗醇性的方向发展,为印刷业的发展提供更宽广的选择性。 相似文献