Deutscher Betontag 1997 (Teil 2).     

V. Husler  U. Hartz  H.-P. Lühr  K.-J. Rotermund  R. Schilling  U.-A. Weitkuhn 《Beton- und Stahlbetonbau》1997,92(10):277-280

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Jesse Reiser 《Architectural Design》2023,93(3):104-111

Jesse Reiser reflects on the unexpected re-emergence of craft within the disciplinary body of architecture: from Buck's Rock Work Camp in Connecticut during the summers of the 1970s, to Cranbrook Academy of Art, to the ongoing work of Reiser + Umemoto, the New York-based practice he co-founded.  相似文献   

    

Daniele Belleri  Carlo Ratti 《Architectural Design》2023,93(1):14-21

The old conceptual dichotomy between the city and the countryside has often been a historical stumbling block for architects and urban planners. Whilst there have been many attempts to bring the city closer to the natural environment, some on grand scales, more modest experiments have often gleaned better results. Daniele Belleri is a partner at design and innovation office CRA-Carlo Ratti Associati, where he is in charge of all editorial and curatorial projects. He and the practice's founder, architect and engineer Carlo Ratti – who is director of the Senseable City Lab at the Massachusetts Institute of Technology (MIT) – together explore our contemporary options.  相似文献   

    

Hamed Khosravi 《Architectural Design》2023,93(5):88-95

As a founder member of the now international practice OMA (Office for Metropolitan Architecture), Zoe Zenghelis was responsible for some of the group's early iconic representations of its buildings. In recent times she has practised as a lone painter creating a plethora of work that is at once abstractly Constructivist yet gorgeously architectural as she mixes form and colour. Architect, teacher and writer Hamed Khosravi describes her artistic trajectory and influences.  相似文献   

    

Kathy Battista 《Architectural Design》2021,91(3):102-111

The evolution of augmented, mixed and virtual realities has opened up opportunities for some artists to construct work that in the past would have required expensive sets. Art historian and curator Kathy Battista shows us some examples of these new creative models of practice and the speculative worldmodelling they have produced.  相似文献   

    

Robert Kronenberg 《Architectural Design》2021,91(6):98-103

With his long-established interest in transient architecture, architect and academic Robert Kronenburg has been a longstanding friend of the STUFISH organisation. Here he probes the notion of ‘reminiscence bumps’, many of which are conditioned by music, concerts and shows and our experience of them. These bumps help make us into the individuals that we are and act as touchstones in our memories that traverse time.  相似文献   

    

Matthew Gandy 《Architectural Design》2020,90(1):106-113

How are the ‘iron landscapes’ of disused railway tracks of the 19th and 20th centuries rejuvenated by encouraging inclusive and diverse uses? Matthew Gandy , a professor of geography at the University of Cambridge, charts the phased design of the Park am Gleisdreieck in Berlin. He questions whether the design of the park can be considered separately from the politics of housing as he highlights tensions between civic society and urban regeneration.  相似文献   

    

Carol Patterson 《Architectural Design》2019,89(3):90-95

From its foundation as the Office for Metropolitan Architecture in Rotterdam, Netherlands, OMA has expanded to have bases on four continents. What binds the practice together is a relentlessly intellectual approach that informs not only its buildings, but also its work in academia, publishing and exhibitions through its research and design studio AMO. Carol Patterson , a director for OMA in London, gives the lowdown on how it evolved and how some projects can serve as a research basis for others.  相似文献   

    

Alan Powers 《Architectural Design》2019,89(5):128-133

Were ideas of beauty denied by modern architects, only to re‐emerge recently? Alan Powers , teacher of architectural history at the London School of Architecture, University of Westminster and New York University in London, looks at notions of beauty and its synonyms during the halcyon days of 20th‐century Modernism.  相似文献   

    

Neil Spiller 《Architectural Design》2019,89(4):86-93

Through his current drawing work, 2’s Editor Neil Spiller traces the protagonists of MoMA's 1988 ‘Deconstructivist Architecture’ exhibition back to the Surrealists and their engagement with Paris as a great engine of chance, liberating the coiled‐up and unseen properties of objects.  相似文献