山水画审美境界的变异

中国美学是自然主义的,庄子的"齐物论"和"逍遥游",儒家"仁者乐山,智者乐水"式的与自然比德,魏晋玄学标举清风朗月以为人的胸襟,禅宗虽把世俗与自然看空,而禅者之悟却多与自然有关。中国画史上山水画的发展最为绵延完整,山水画史也是中国哲学和人生观发展史的索引。晋唐、两宋、元、明清不同时期的山水画作品正印证了仙(玄)、神(理)、逸、禅是山水画发展过程中不同阶段的倾向与变异,是中国哲学发展在山水画中的反映。     

情感--建构境界的灵魂--浅议王国维的"有我之境"与"无我之境"

前辈学人往往站在哲学的高度．企图厘清王国维“有我之境”“无我之境”的区别，其实我们何妨从文学意象的层面入手，把握贯穿于二者之间的一根感情红线。     

Food consumption in the everyday life of liveable cities: design implications for conviviality

ABSTRACT

This paper focuses on the social aspects of food consumption in the public realm and how built environment design should include places for conviviality. Current urban planning may fulfil human needs, but in some cases, individuals have unpleasant experiences while meeting these needs. A review of existing literature indicates that studies of conviviality during food consumption has focused on design qualities. To investigate the Egyptian experiences in food consumption, the current study employed qualitative and quantitative approaches through four streams of data collection: observations, interviews, opinionnaire and permeability analysis of catchment areas. The results provide design implications for conviviality of food practices to discover the multilateral dimensions of design that can make social interactions part of a satisfying experience. This research concludes that for conviviality attached to food consumption, it is essential to focus on replicable aspects like supporting activities, social settings, and the design based on intent.     

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四川盆地天然气勘探工作４０多年来,已取得了巨大的成绩,有力地支持了四川省和重庆市建设。为保持二地区经济的持续发展和２１世纪中国天然气工业发展战略的需要,还必须扩大有利地区和探索新领域。笔者在参与四川盆地“六五”～“九五”国家重点攻关项目基础上,结合前人研究成果,从分析盆地勘探现状、总结天然气地质规律、开拓新领域这一思路,从四个方面探讨这个复杂问题。虽不能提出具体勘探目标,但在战略上可供抉择者参考和     

强风化带回采巷道临界宽度研究

：处于强风化带的回采巷道具有围岩风化裂隙增多、强度减弱、矿压显现强烈等特征，如果仍采用普通围岩的巷道设计宽度进行掘进，容易形成巷道局部冒顶、围岩变形大、支护困难等工程问题．为了有效控制和维护巷道围岩，对影响巷道临界宽度的主要因素进行详细分析，认为自然地质因素、掘进与回采技术、支护因素是影响巷道临界宽度的主要因素；应用极限平衡理论、弹塑性理论，结合目前煤矿锚杆支护技术确定强风化带回采巷道的临界宽度；并以东庞矿为工程实例来合理确定强风化带回采巷道的临界宽度．图1，表2，参9．     

21世纪的临终关怀医院

本文以临终关怀医院的重要功能组成——“住区”为切入点，结合具体案例，从色彩、空间、环境等方面解析21世纪临终关怀医院的设计。     

建筑视野中的诗意境界——唐长安城与唐诗的审美文化内涵

唐长安城是唐朝的国都,是唐长安文化的重要载体与重要组成部分。作为唐朝国家意志的象征,长安城是唐代审美理想物化形态的典范,也是唐诗创作重要的人文环境。唐诗不仅承载着长安城的建筑恩想与审美文化,也是不断充实、拓展长安城文化内涵的艺术形式。正是在承载与拓展的过程中,在与周边文化地理环境、都城建筑群体的交流互动中,诗人的创作心态日益成熟,诗歌的审美文化内涵日趋丰富,并呈现出丰富多元的审美形态与审美境界     

Developing prototypes for France’s mass housing programme, 1949–53

The results of two key competitions run by the French Ministry of Reconstruction and Urbanism in 1949 and 1950 have long been regarded as prototypes for les grands ensembles, the large mass housing developments of the 1950s and 1960s. Claudius‐Petit, the minister (1948–52) and a strong supporter of modern architecture, believed that industrialization would raise both the quality and the volume of housing construction. The competitions, one for 200 dwellings at Villeneuve‐Saint‐Georges and the other for 800 in Strasbourg, were judged large enough to attract the interest of contractors working in the public works sector and capable of developing industrialized building techniques. In each competition the winning project, though able to satisfy the technical demands of the competition, won because of its architectural qualities, while the second place project addressed the issues of production more comprehensively. However, the subsequent development of mass housing in France has caused the legacy of the competitions to be identified with the mainstream emphasis on production and economy, bitterly attacked from the late 1950s onwards. This has overshadowed that combination of architectural and technical values, central to Claudius‐Petit’s vision for post‐war housing, which was embodied in the two winning projects.     

从旅游到休闲：标准化工作的新起点和新任务

旅游业和休闲业新的时代要求是市场主导型发展,由市场配置资源,以标准引导市场,旅游标准化工作势必扩展和深入到休闲领域。在对国内外旅游休闲标准化工作进行对比和研究之后,总结目前存在的主要问题,结合我国市场实际和行业发展趋势,对我国旅游标准化工作发展进行指导和展望。