从利奥塔的元叙事危机看我国私人写作的意义

让一弗·利奥塔对当代知识与叙事特别是元叙事的合法性问题进行了探讨,最后得出元叙事的危机以及与之相关的普遍主体、现代知识分子神话的解体。本文试以此理论为基础,阐述我国私人写作的权利与意义。     

Industrial Text and French Neo-structuralism

Parallel to, and to some degree inreaction to French poststructuralisttheorization (as championed by Derrida,Foucault, and Lacan, among others) is a Frenchneo-structuralism built directly on theachievements of structuralism using electronicmeans. This paper examines some exemplaryapproaches to text analysis in thisneo-structuralist vein: SATOR's topoidictionary, the WinBrill POS tagger andFrançois Rastier's interpretativesemantics. I consider how a computer-assisted``Wissenschaft' accumulation of expertisecomplements the neo-structuralist approach.Ultimately, electronic critical studies will bedefined by their strategic position at theintersection of the two chief technologiesshaping our society: the new informationprocessing technology of computers and therepresentational techniques that haveaccumulated for centuries in texts.Understanding how these two informationmanagement paradigms complement each other is akey issue for the humanities, for computerscience, and vital to industry, even beyond thenarrow realm of the language industries. Thedirection of critical studies, a small planetlong orbiting in only rarefied academiccircles, will be radically altered by the sheersize of the economic stakes implied by a newkind of text, the industrial text, thetechnological heart of an information society.     

Towards the implementation of text and discourse theory in computer-assisted textual analysis

Humanities computing (HC) has failed to integrate into its practices many of the key theoretical elements of contemporary text and discourse theory. This has in turn contributed to the marginalization of HC in research and teaching. Outdated theoretical models must be abandoned in order to develop a critical discourse based on the insights of HC. HC projects remain far too attached to micro-analyses and have not developed the theoretical and methodological tools necessary to undertake systemic macro-analyses on the level of discourse. Given that texts are a mixture of determinate and dynamic systems, recent developments in chaos theory may be of help in modelling the interrelationship of these elements at discourse level.Donald Bruce is Associate Professor of Romance Languages at the University of Alberta. His research interests include literary theory, XIXth century French literature, science and literature, and translation. He recently edited an issue ofRecherches Sémiotiques/Semiotic Inquiry on Literature and Ideology and is presently working on a project entitled,The Socio-semiotic Nexus: Jules Vallès and the Discourse of the Commune.     

论唐寅《落花诗册》之反典而诗

唐寅在《落花诗册》中纵横使典,一气数典连用,而又不拘格俗,往往反典而用,以反典借古人景语言一己之情语,既不留行迹,又将自我多种复杂的心境展露无遗。同时,其化数家典故于一体,反典而不落陈套,手法不拘一格,表现了其极高的文学艺术修养。并且,其对于反典的偏爱,既是自我个性的张扬、不平的宣泄,也是对于"自性"的体悟和对"夺胎换骨"的继承,表现了其与禅宗之间甚深渊源。     

论文学翻译中译者的创造性叛逆——以《红楼梦》库恩德译本为例

谈到文学翻译,人们会立即想到＂翻译者,叛逆也＂这一说法。由于中西方语言体系之间存在极大的差异,而文学翻译的目的是进行文化传播与信息交流,所以在文学翻译过程中,译者势必会发挥主观创造性,甚至是叛逆性,对原著进行变通。译者的＂创造性叛逆＂在文学翻译作品中普遍存在,对于各民族文化交流而言具有重大的意义。结合《红楼梦》库恩德译本对＂创造性叛逆＂这一文化现象进行分析,探讨其内涵意义以及表现形式。     

寒到君边衣到否——服饰文学名作欣赏

衣中有诗,诗中有衣,一个衣字当中,蕴含着多少诗意!文章撷取了古代文学作品中与“衣”相关的诗、词、曲片段,从文学欣赏的角度对唐、宋、元几首诗词曲作品托物言情的表现手段和深刻内容、复杂情感作了领略与品味.     

谈文学创作与文学翻译的关系

德国汉学家顾彬因对中国当代文学的某些否定而招致中国社会许多文人的不满甚至痛恨,文章试从文学翻译与文学创作的互动关系角度论证顾彬某些言语的发人深省。     

胡风文艺思想在编辑工作中的体现

由爱国主义出发,胡风的主观战斗精神、精神奴役创伤等启蒙文艺思想精神在他的编辑工作中得到充分体现。文学的践行者必须具有战斗性品格,胡风不仅自己通过文学创作去战斗,还通过期刊阵地带动了七月派大量青年作家的战斗。     

日本私小说及其在文学史上的历史起源研究

日本的私小说产生于日本特定的社会背景,作为日本特有的小说样式,其在日本文学史上占有重要的地位。文章在阐述私小说及其特点的基础上,重点分析了日本私小说的历史起源及文学体现,重点讨论了私小说的＂真实性＂。