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该文通过分析和诠释贝阿特和德普拉策斯工作室的若干个建筑设计案例,对当代青年瑞士建筑师的设计思潮和方法做初步探索。 相似文献
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Ákos Moravánszky 《Architectural Design》2007,77(5):30-35
Ákos Moravánszky explains why for him ‘the traces of Mediterranean Rationalism in the new Swiss-German architecture are like the imitation stitching on the moulded plastic dashboard of a new car’. It is an influence which, despite the undeniable impact of Aldo Rossi and the Ticino School at ETH Zurich in the 1970s, remains skin-deep, sharing little with the present in terms of ideology or the interpretation of the historic past. Copyright © 2007 John Wiley & Sons, Ltd. 相似文献
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