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1.
Edwin Heathcote 《Architectural Design》2017,87(5):64-67
Completed in 1970, this residential building on a prime London site is recognised as a pioneering example of the British High Tech style. More importantly for this issue of AD, it was designed so that leaseholders could devise their apartments' layouts themselves, with maximum allowance for future adaptation – in contrast with the high-spec, investor-driven typology that is prevalent for such sites today. Writer and architect Edwin Heathcote describes the building's structure, the co-ownership housing society model that made it possible, and how it has fared over time. 相似文献
2.
In this brief commentary regarding Rogers' (1957) paper (see record 2007-14639-002), I comment on Rogers' statement about personality change, the six conditions, and the resulting hypotheses. I conclude that the construct of therapeutic personality change needs to be reformulated to include interpersonal changes, and that the six conditions can facilitate therapeutic personality change, but are neither necessary nor sufficient for therapeutic personality change. I also suggest that several components from current common factors models (e.g., building expectations of change, encouraging corrective experiences) and a consideration of boundaries need to be included into a reformulation of Rogers' propositions. (PsycINFO Database Record (c) 2010 APA, all rights reserved) 相似文献
3.
Fabian Wagmister 《AI & Society》2000,14(2):230-242
The processes of constructing meaning in digital database environments entail a paradigm shift from previous models of audio-visual communication. Media emerging from the Electro-mechanical era (film/TV/video) present fixed spatio-temporal linearity and material conditions which objectify and render passive viewer and process. The problematic aspects of cinematic communication were addressed by Latin American filmmakers of the Third Cinema movement. Their concerns and approach presaged and assisted an understanding of the radical redefinition of audio-visual communication possible with digital databases. The conceptual and aesthetic aspirations of Third Cinema artists such as Julio Garcia Espinosa and Fernando Solanas were ultimately contradictory to linear media and find their fitting medium in digital modular construction. The materiality of database expression lacks an intrinsic temporal or spatial state and permits a more dynamic and multidirectional set of power relationships between author/s, piece, viewer/s. Other important referents for contextualising database art are modern art practitioners that rejected linear representational space and fractured the centrality of authorship. The author's own work, ...two, three, many Guevaras, an exploratory database environment, embraces the redefinition of process as artistic expression, the empowerment of interacting generative forces, and serves to illustrate the revolutionary potential of the new media. 相似文献
4.
《国际计算机数学杂志》2012,89(2):87-103
This paper deals with certain characterizations of the sets of positive integers which when represented as strings on a finite alphabet, form tree adjunct languages, As the context free languages constitute a subfamily of tree adjunct languages, the results carry over to the former as well. 相似文献
5.
No authorship indicated 《Canadian Metallurgical Quarterly》1986,41(4):379
Presents the citation, biography, and bibliography for Rogers H. Wright, the 1985 recipient of the American Psychological Association's Award for Distinguished Contributions to Applied Psychology as a Professional Practice. Known by many as the 'Father of Professional Psychology,' Dr. Wright has been in the forefront of the struggle for recognition by Professional Psychology. Possibly the most important and powerful contribution that Dr. Wright has made was in co-founding and being the first President of the Committee for the Advancement of Psychological Professions and Sciences (CAPPS), the group that introduced Psychology into public policy advocacy. It was this group that brought the American Psychological Association into the public policy arena and led to the establishment of AAP and the various policy groups within APA that now play such a major part in APA's program. (PsycINFO Database Record (c) 2010 APA, all rights reserved) 相似文献
6.
Neil Spiller 《Architectural Design》2023,93(5):30-39
In a wide-ranging interview with AD Editor Neil Spiller , architectural artist Ben Johnson charts the course of his career to date – from his formative years at art school, through his epiphany moment when architecture took its key place in his practice, and beyond. He recalls the impact of painting the work of Norman Foster and Richard Rogers, particularly the reflections caused by their use of glass, and discusses the spiritual aspects that the act of painting instills in him, along with his more recent interest in depicting the geometries of Islamic religious buildings. 相似文献
7.
Gabor Gallov 《Architectural Design》2019,89(6):52-57
How important is the sketch and the hand drawing to the identity of the architect two decades into the 21st century? London‐based architect and architectural tutor Gabor Gallov argues it is still as crucial as it always was in conveying ideas, but equally as a vehicle for exploring the subtleties of individual architectural language away from the ubiquitous computer and rendering. 相似文献
8.
Caroline Cole 《Architectural Design》2019,89(6):98-103
Colander Associates are experts in offering support and advice for architectural business development. The London firm's director Caroline Cole here explores various aspects of figurehead branding, with its ‘lone genius’ myth, as well as more collaborative modes of practice and their consequent corporate identity. 相似文献
9.
Grahame Shane 《Architectural Design》2007,77(2):24-35
How are urban actors, such as landscape designers, community groups, developers and local politicians, actively restructuring their environments to meet the challenges of the American city in the new global context? Grahame Shane outlines the approaches to landscape that have been emerging since the mid-20th century and are set to recombine urban assemblages whether they are located in historic city centres, postindustrial waterfronts or suburban sprawl. Copyright © 2007 John Wiley & Sons, Ltd. 相似文献
10.
Peter Buchanan 《Architectural Design》2015,85(2):88-93
The architecture of the Renzo Piano Building Workshop (RPBW) is renowned internationally for the formal refinement of its components and detailing as well as for its sensitive responses to context, both in terms of its physical surroundings and local construction traditions. But, as architectural author and Piano specialist Peter Buchanan reminds us, the central concern of the practice remains focused on the original core impetus of expandingthe bounds of what technology and materials can achieve. 相似文献