Giovan Battista Della Porta's construction of pneumatic phenomena and his use of recipes as heuristic tools

In this paper, I suggest that research results from the history and philosophy of modern science provide a valuable methodological contribution for investigating early modern experimental philosophy and employ them to reassess the contribution of Giovan Battista Della Porta to its development. In modern science, the production of experimental knowledge is dependent on a complex array of communication strategies involving verbal terminology, diagrams, standardized instruments, and measurement units. Historians and philosophers have investigated the constitutive connection between such strategies and the phenomena scientists study in laboratories, showing how the two often co-evolved during the 19th and 20th centuries. Della Porta took an important first step towards the development of such methods by transforming the traditional recipe format into a strategy for mutually connecting, conceptualizing, and sharing observations made in experiments involving similar, but not identical, instruments and procedures. I use as a case study the changing manner in which he used recipes for presenting and connecting a number of pneumatic experiences from the first edition of Natural Magic (1558) until his meteorology treatise On Transmutations of Air (1610). In modern terms, those experiences can be interpreted as demonstrating the air's expansion and contraction with heat or pressure. However, today's notions of air pressure, density, and volume did not exist around 1600 and the verbal, visual, and quantitative means of expressing them had yet to be created. Della Porta did not create the modern notions, but he contributed to their emergence in a substantial way with his discussions of those pneumatic experiences. Della Porta's innovation may be described as the creation of a new epistemic genre, but it was not of a purely literary character, since the recipes also shaped the instruments and procedures they described, transforming them into new means of knowledge production in experimental philosophy.     

Renzo Piano: Poet of Technology

The architecture of the Renzo Piano Building Workshop (RPBW) is renowned internationally for the formal refinement of its components and detailing as well as for its sensitive responses to context, both in terms of its physical surroundings and local construction traditions. But, as architectural author and Piano specialist Peter Buchanan reminds us, the central concern of the practice remains focused on the original core impetus of expandingthe bounds of what technology and materials can achieve.     

The Golden Section in Architectural Theory

The never-ending—but always young—discussion about the Golden Section in architecture never lacks a hint at Luca Pacioli and architectural theory. But what it always lacks is a thorough study of the Golden Section in architectural theory. This paper aims to present this analysis. Marcus Frings traces the Golden Section from the mathematical and rather theoretical character of Pacioli’s concept, the the treatises of Alberti, Serlio, and Palladio, to Adolf Zeising in the nineteenth century. and to theorist Matila Ghyka and the practitioners Ernst Neufert and Le Corbusier in the twentieth. In the latter’s writings and designs the Golden Section seems to play the role of a scholarly element which shows the master’s theoretical erudition, leading to contemporary architects such as Ricardo Bofill.     

All Night Long: The Architectural Jazz of the Texas Rangers

In the mid-1950s, a group of young faculty at the University of Texas School of Architecture in Austin - aka the Texas Rangers - entertained themselves with weekly sessions of a sophisticated, collective drawing game, ‘Dot-the-Dot’, in which there was an emphasis on inventive fluency in hand drawing as well as an innate knowledge of historic European city plans. What happened when Mark Morris , Visiting Associate Professor at Cornell University, decided in a design studio to ask present-day students to revive the game?     

CCTV媒体公园的项目实践

中央电视台是中国国家电视台,其新台址工程坐落于最具活力的北京中央商务区,是建国以来国家建设的单体最大的公共文化设施。作为央视新台址工程的重要组成部分,“媒体公园”的规划设计方案强调了央视作为媒体先锋的五个本质意义——“时代、时尚、时下、时段、时机”,在研究人的行为模式的基础上,融合皮拉内西的景观风格,力图建成北京城新的地标景观和城市名片。     

Building as Interface: or,What Architects Can Learn from Interaction Designers

Walter Aprile and Stefano Mirti have been engaged as designers, researchers and teachers at Interaction-Ivrea, a technological research institute in northern Italy, since it was established by Telecom Italia and Olivetti in 2001. Here, the two reflect on the series of experiments they have undertaken at the intersection of interactive technology and architecture, analysing their own working systems and the means by which they have chosen to pursue interdisciplinary dialogue. Copyright © 2005 John Wiley & Sons, Ltd.     

Invisible Agency

Jeremy Till and Tatjana Schneider call for a redefinition of the architect away from the professional who is ostensibly involved in adding ‘more stuff to the world’. Looking beyond the business of matter or managing the impact of that matter on the environment, they explore ways that designers can use their intelligence and creativity to shift existing habits of consumption and patterns of behaviour. They highlight the work for four practices who are already operating in this field: 2012Architecten, 00/:, Arif Hasan and Morar de Outras Maneiras (MOM).     

Detailing the Walled Garden for Lebbeus

Neil Spiller , the Hawksmoor Chair of Architecture and Landscape and Deputy Pro Vice Chancellor of the University of Greenwich, London, has an unrivalled international reputation for the virtuosity of his visionary graphic work. Here, in a highly personal and poetic eulogy to Lebbeus Woods, Spiller pays tribute to his master through the lens of his own work, where detail becomes an important element in an imagined, augmented world in which the concrete or the specific lends credence to the fictional.     

Empathic Imagination: Formal and Experiential Projection

The celebrated architect, educator and author Juhani Pallasmaa is well-known for having forged a new understanding of perception and the experiential in architecture with his seminal book The Eyes of the Skin: Architecture and the Sensory (3rd edn, Wiley, 2012). Here he describes how ‘imagining human situations’ is at the core of architecture, relying on the interrelationship of physical space, behaviour and the capacity for mental tuning.