Current Urban Discourse,Urban Transformation and Gentrification in Istanbul

In the mid-2000s, unprecedented economic growth provided a catalyst for Istanbul's transformation. Tolga İslam outlines the background to large-scale urban development and renewal projects that have been undertaken by local authorities throughout the city. Copyright © 2010 John Wiley & Sons, Ltd.     

解读隈研吾“材料让建筑消隐”

日本建筑师隈研吾,对建筑消隐有着独特的理解,对具有消隐特质的开放型空间的创造以及对材料的粒子化建构等有着独特的阐释。该文旨在通过结合隈研吾的相关作品,从建筑消隐的缘由、媒介以及手法等三个角度来分析解读其著名的建筑观——“材料让建筑消隐”。提出隈研吾建筑作品的主题是建筑与自然的关系,而不是建筑的视觉表现,建筑通过消隐弱化自身以彰显自然。     

浅析赖特对当代日本建筑师隈研吾的影响

赖特的建筑深受亚洲哲学与日本文化的熏陶,身为日本建筑师的隈研吾对赖特的建筑思想自然十分熟悉和赞同。赖特宣扬有机建筑观念对隈研吾有着很深的触动;他的织理性建构方法也在隈研吾的作品中有清晰的体现。本文针对隈研吾建筑作品中继承赖特的建筑思想和特点进行了简要分析,说明赖特对隈研吾产生的影响。     

The Presence of the Weather

Modern architecture has dedicated much of its discourse to crystal-ball gazing – dwelling on the visionary and the speculative. Conversely, Kevin Nute , Professor of Architecture at the University of Oregon, puts the case for the present over the future and the past. To enhance experiences of the present, he describes how architects can harness the effects of changing temporal and weather conditions – sun and shadow, wind and rain. Design can heighten the sensory stimuli these conditions generate, keeping us ‘in the moment’ while still enjoying the comfort of being indoors.     

Time Matters: Transition and Transformation in Architecture

Though the contemporary world in the West has only just started to value architecture that is temporary and highly flexible rather than permanent and timeless, the East has a long building tradition respecting the transitory and ephemeral. Mark Taylor , Professor of Architecture at the University of Newcastle, Australia, looks at ways in which recent architecture in China, Japan and New Zealand has been embracing the limits and passing of time.     

The Grand Work of Fiction: The Detail as Narrative

A practising architect and Professor at the University of Virginia School of Architecture, Edward Ford is the leading expert on the architectural detail and the author of three seminal books on the subject. Here Ford explains that, though the decision ‘to abstract or to articulate’ architecture ‘may be largely subconscious’, it is never ‘arbitrary’. For ‘in the well-designed building, it is done in the service of the creation of a larger narrative, a unity of vision’.     

从“碎裂”到“粒子”——隈研吾的“消解建筑”观

隈研吾作为日本战后第四代建筑师,他的设计在当代建筑中具有其独特的个性和影响力。本文试图从隈研吾的时代背景、设计思想的发展历程以及他对材料语言的理解着手去展开对隈研吾＂消解建筑＂的研究,通过对隈研吾的几个不同阶段的代表作的解读中去探寻隈研吾的＂消解建筑＂思想及其方法。     

"表层"的意义隈研吾设计的上海Z58

在日本建筑师隈研吾于上海设计的中泰控股集团上海总部Z58中,安装了镜面不锈钢花槽的玻璃外墙与整面流水的玻璃内墙之间是挑空4层的透明大厅。这两块玻璃墙面可以看作是一个把外部景观抽象化处理后引入内部的装置。如果从建立新型建筑内外关系的可能性上进行探讨,便可明白该建筑的新意所在。     

隈研吾建筑表皮材料编织法研究

通过分析隈研吾的建筑作品,总结其建筑表皮的设计来源、形式、材料等方面的规律,概括其在选择表皮肌理和材料的思维方法,对其主要作品的表皮类型在形态上进行分类,试图找出这些类型特点与所用材料在形态设计上的关系,从而学习建筑师处理表皮时的手法和理念,提高建筑设计水平.