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王浩 《南方建筑》2005,(6):98-102
1998年4月,在苏格兰议会大厦的国际竞赛中,西班牙建筑师米拉莱斯和塔格里布(EMBT)在众多参赛选手中脱颖而出,被指定为该项目的建筑师。本文详细介绍大厦风格新颖外观和室内设计以及西班牙传奇建筑师米拉莱斯对于传统与地域,艺术与文化,政治与诗意的独特理解。  相似文献   
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翟健 《中外建筑》2012,(9):35-36
在西方文化中,墓园建筑并不令人觉得阴森恐怖,而是一个宁静安详的场所。位于西班牙的伊瓜拉达墓园便是一个例子。作为西班牙著名建筑师米拉莱斯的代表作之一,它与周围环境融合,创造了一个供人缅怀与思考的空间,成为了一件完美的大地艺术。通过对它的欣赏与解读,我们可以了解其中的设计手法,学习景观建筑设计的经验。  相似文献   
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During the summer of 2014, new life was injected into the auspicious squares and parks of the city centre of historic Barcelona by the Enric Miralles Foundation. This came in the form of celebrative temporary installations commissioned from teams, including among them Odile Decq, Yael Reisner and Peter Cook, Grafton Architects and Urban-Think Tank. Commemorating the 300th anniversary of the end of the siege of Barcelona, each group of collaborators was asked by the curators, architect Benedetta Tagliabue and theatre director Àlex Ollé, to create a structure that embodied a universal principle, such as diversity, democracy and identity. Benedetta Tagliabue describes the project.  相似文献   
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曾飞 《建筑与环境》2009,3(1):143-145
从图纸这个特定的角度对恩里克·米拉利斯的威尼斯建筑学校进行解读,以便探讨建筑师设计理念和设计手法。  相似文献   
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Professor and Chair in Integrated Design at the University of Calgary Faculty of Environmental Design, Branko Kolarevic has established an international reputation as an author and commentator on digital design and manufacturing in architecture. Here he questions the importance of high-definition tolerance in construction itself. As an industry that operates at far greater sizes and scales than other manufacturing bases, has the ‘messy world of building’ not always had to allow for a reasonable tolerance of errors? Should high-definition processes, which negate or negotiate zero tolerance, really be for architects and construction professionals the Holy Grail that they first appear?  相似文献   
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A complex basket-like structure woven from lightweight steel and wicker, the Spanish Pavilion for the Expo 2010, in Shanghai, is the site of a unique collaboration between architects EMBT (Enric Miralles and Benedetta Tagliabue) and MC2 Structural Engineers. Here Julio Martínez Calzón and Carlos Castañón Jiménez of MC2 describe how intense dialogue became key to the realisation of the pavilion, as form-finding and the development of the underlying structural system were equally integral to the design process. Copyright © 2010 John Wiley & Sons, Ltd.  相似文献   
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王颖  王凯 《华中建筑》2006,24(12):14-15
通过对西班牙建筑师米拉雷斯的英古拉扭达墓园设计恩维的几个不同角度的解读,探讨这个设计的产生背景和深层意义,  相似文献   
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Mixology     
What is the New Mix in architecture? Why is it emerging now? Is there a direct correlation between the widening of the ethnic origins of practitioners and diversity in design? What are the impacts on the formal language of architecture? Sara Caples and Everardo Jefferson consider issues related to mixology, defined by the American Heritage Dictionary as ‘the study or skill of preparing mixed drinks’. Copyright © 2005 John Wiley & Sons, Ltd.  相似文献   
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曾飞  王静 《城市建筑》2009,(4):98-100
本文尝试从场地这个特定的角度对恩里克米拉利斯的几个作品进行解读,进而探讨建筑师关于场地与建筑关系的设计理念和设计手法。  相似文献   
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