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本文试图通过时代的责任、空间的体验、对新的追求、智性的建筑、建筑的本体等五个角度结合建筑实例分析解释瓦勒里欧·奥加提对他所谓的"无参照建筑"的定义。 相似文献
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FAT 《Architectural Design》2011,81(5):46-61
Sean Griffiths, Charles Holland and Sam Jacob of FAT curate and classify the work of a diverse and international grouping of Radical Post-Modern architects. They range from the recently defunct Foreign Office Architects (FOA), known for their proclivity for pattern and ornament, to Tokyo-based Atelier Bow-Wow who are rigorous in their pursuit of the ordinary. They run the gamut of the highly figurative, as exemplified by Melbourne-based practice ARM, to the expressive austerity of Swiss architect Valerio Olgiati. Copyright © 2011 John Wiley & Sons, Ltd. 相似文献
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Ákos Moravánszky 《Architectural Design》2007,77(5):30-35
Ákos Moravánszky explains why for him ‘the traces of Mediterranean Rationalism in the new Swiss-German architecture are like the imitation stitching on the moulded plastic dashboard of a new car’. It is an influence which, despite the undeniable impact of Aldo Rossi and the Ticino School at ETH Zurich in the 1970s, remains skin-deep, sharing little with the present in terms of ideology or the interpretation of the historic past. Copyright © 2007 John Wiley & Sons, Ltd. 相似文献
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