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陆珂琦 《数码设计:surface》2010,(11):263-265
涂鸦艺术作为一种街头文化,影响着当代服饰设计。文章从涂鸦艺术的起源与发展入手,对涂鸦艺术进行历史的客观的评述。其次结合图片说明涂鸦艺术在服饰色彩、图案、表现手法等方面的应用,证实了涂鸦所产生的时尚性,能够对于流行更新起到推波助澜的作用。再次通过涂鸦品牌服装的案例分析凸显涂鸦艺术进入当代服饰设计领域后所产生的魅力和商业价值。 相似文献
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管蓓莉 《南通纺织职业技术学院学报》2012,12(4):53-56
介绍了涂鸦艺术的起源与发展以及现今在艺术设计中的地位及涵盖面,对涂鸦艺术与家用纺织品艺术设计的结合进行了例举、比较,并对这一艺术形式在未来家用纺织品艺术设计中的延伸及前景进行了分析与预测。 相似文献
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凯斯·哈林是20世纪80年代美国涂鸦艺术的代表人物,他创造了平面化的涂鸦风格,以流畅、粗犷的黑色线条来勾勒简单的图形,并赋予这些线条、图形以有声的力量;运用夸张的补色对比来展现图形的层次,呈现出他想要表达的内涵;选择用一种与传统透视绘画方法背道而驰的平面化方式,以概括的手法、抽象的图形来表现各种主题,并继而表达自我。凯斯·哈林的作品以一种非同一般的、小众的艺术方式来表达自己,却得到了大众的传递,从而实现了其艺术大众化的理想。 相似文献
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Often associated with acts of vandalism, graffiti can also be identified with the so‐called street art movement. Moreover, in the historical context of visual arts from the 20th and 21st century, graffiti spray paints feature among the materials employed in the work of representative artists such as Lucio Fontana, Richard Hamilton, Yves Klein, or David Alfaro Siqueiros. In this study, a large number of artist spray paints were analyzed by means of X‐Ray Fluorescence (XRF), Fourier Transform Infrared Spectroscopy (FTIR), spectrophotometry, and Hyperspectral Imaging (HSI). The aim of the study was to provide a chemical characterization of the main organic and inorganic components present within the spray paint formulations by means of a complementary non‐destructive approach. Titanium white, zinc white, bismuth vanadate yellow, ultramarine, strontium sulfide, iron, and copper oxides, along a series of pigments of the azo, phthalocyanine, and quinacridone classes could be identified. High amounts of barium sulfate as well as calcium‐based extenders were also detected. FTIR analysis provided important information regarding the binder composition, mainly modified alkyd resins being identified. Additional information related to the existing chromophores as well as specific binder‐pigments interactions could also be highlighted within the HSI data sets. Overall results provide new insights on the complex chemistry of this new range of materials, which could help future investigations carried on street art graffiti, contemporary murals, or mixed‐media artworks. 相似文献
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Eva Branscome 《Architectural Design》2011,81(5):114-121
Tattoo or consummate object of consumption? Banksy's artwork has an uneasy status. It simultaneously has the power to subvert, questioning the conventions of the art world while potentially colluding with it. Eva Branscome explores the paradox of Banksy in the light of Post-Modernism. Copyright © 2011 John Wiley & Sons, Ltd. 相似文献
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David R. Large Gary Burnett Steve Benford Keith Oliver 《Behaviour & Information Technology》2016,35(10):807-816
Augmenting navigation systems with landmarks has been posited as a method of improving the effectiveness of the technology and enhancing drivers’ engagement with the environment. However, good navigational landmarks are both laborious to collect and difficult to define. This research aimed to devise a game concept which could be played by passengers in cars, and would collect useful landmark data as a by-product. The paper describes how a virtual graffiti tagging game concept was created and tested during on-road trials with 38 participants. The data collected in the road trials were then validated using a survey, in which 100 respondents assessed the quality of the landmarks collected and their potential for reuse in navigation applications. Players of the game displayed a consensus in choosing where to place their graffiti tags, with over 30% of players selecting the same object to tag in 10 of the 12 locations. Furthermore, significant correlation was found between how highly landmarks were rated in the survey and how frequently they were tagged during the game. The research provides evidence that using crowdsourcing games to collect landmarks does not require large numbers of people, or extensive coverage of an area, to produce suitable candidate landmarks for navigation. 相似文献
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探索了激光清洗去除涂鸦这一新型应用,并且针对清洗技术中的关键问题——激光能量密度对清洗效率的影响,进行研究.给出TEA CO2激光在不同情况下的清除涂鸦的实验数据.验证了TEA CO2激光适用于激光清除涂鸦,效果显著.实验发现,当激光能量密度为4~6 J/cm2时,去除效率最高,实验中单位能量去除的涂鸦面积超过2.5 ... 相似文献
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David Littlefield 《Architectural Design》2013,83(6):124-129
Transgression is not absolute. What constitutes a transgression is forever in flux, being redefined with the mores of society. The potential for transgression also does not halt with the completion of a building. David Littlefield examines the temporal character of transgression in relation to lived-in buildings, and the manner in which transgression lodges itself between a building and an idea. Here transgression is a byproduct of the occupiers rather than their makers, sometimes to the extent that a building can take on unbearably horrific associations. 相似文献