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站在机器时代与数字时代的交叉口--细读仙台媒体中心   总被引:1,自引:0,他引:1  
沈轶 《新建筑》2005,(5):61-63
人类正站在机器时代与数字时代的交叉口。通过解读仙台媒体中心隐含的柯布西耶对机器时代主题的演绎,包括多米诺的重现以及运用新时代的技术与手法使建筑从本原上回归新建筑五点的理念,揭示了在时代更替的时候,伊东丰雄如何在实践中演绎新建筑的革命过程。  相似文献   
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For 30 years, Renzo Piano has been producing distinguished buildings and delighting the world with his innovation and sensitivity. Here, Livio Sacchi attempts to tease out some of the reasons behind Piano's sustained success. Having gained an almost unparalleled international profile during the last couple of decades, a period that has been notoriously difficult for Italian architects, Piano's career has an almost mythic quality. It boasts one of the most unlikely competition wins of all time that ceded one of the most prestigious sites in the world, the Centre Pompidou in Paris, to two completely unknown architects in their late 20s. Copyright © 2007 John Wiley & Sons, Ltd.  相似文献   
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Perched on the edge of a wharf overlooking downtown Boston, Diller Scofidio + Renfro's new Institute of Contemporary Art takes advantage of its strange dramatic site, providing useful, unusually provocative spaces for the various arts it was built to house. While it is not surprising that Diller and Scofidio, who are artists themselves, were able to accommodate the complex programme imaginatively, their new firm's handling of the site in their first freestanding American building is impressive indeed. Jayne Merkel explains how the interiors are individualised and energised by the embrace of the harbour in a scheme that minimises the location's drawbacks and turns a visit into an art experience in its own right. Copyright © 2007 John Wiley & Sons, Ltd.  相似文献   
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