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No authorship indicated 《Canadian Metallurgical Quarterly》1977,32(1):68a
The American Psychological Association's Distinguished Contribution for Applications in Psychology Award was given this year for the fourth time. This award is presented to a person who has engaged in a program of research that is both systematic and applied in character. The recipient is presented with a check for $1,000 and an engrossed citation of their contributions. This year's award was won by Fred S. Keller. The award was presented by Richard F. Thompson, Chair of the Committee on Scientific Awards. Other members of the committee are Dorothea Hurvich, Walter Mischel, Lorrin A. Riggs, Janet T. Spence, and Elaine Walster. A listing of previous award winners is also provided. (PsycINFO Database Record (c) 2010 APA, all rights reserved) 相似文献
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Presents the citation of the American Psychological Foundation's Distinguished Contributions to Education in Psychology Award for 1970. Fred S. Keller is one of this year's recipients. His award citation reads: "Pioneer in applying behaviorism to the teaching of psychology. He and his followers have wrought major changes in undergraduate psychology courses." A check for $1,000 was also presented to the recipient. The article includes Keller's personal biographic information. (PsycINFO Database Record (c) 2010 APA, all rights reserved) 相似文献
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Neil Spiller 《Architectural Design》2023,93(5):30-39
In a wide-ranging interview with AD Editor Neil Spiller , architectural artist Ben Johnson charts the course of his career to date – from his formative years at art school, through his epiphany moment when architecture took its key place in his practice, and beyond. He recalls the impact of painting the work of Norman Foster and Richard Rogers, particularly the reflections caused by their use of glass, and discusses the spiritual aspects that the act of painting instills in him, along with his more recent interest in depicting the geometries of Islamic religious buildings. 相似文献
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Harry Bix 《Architectural Design》2020,90(1):62-65
Harry Bix is the founder of art practice East Anglia Records, and teaches Landscape Architecture at the University of Greenwich. The post-Situationist, event-driven ethos of his work revels in the everyday and incomplete, without seeking fully quantifiable definition. As he explains here, his projects are happenings, bringing together people, music and ambiences – catalysts operating on existing conditions, rearticulating them as landscapes of events. 相似文献
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Theodore Spyropoulos 《Architectural Design》2009,79(6):82-87
Over the last four decades, the onset of computation has enabled architects and designers to employ generative patterns in their exploration of emergent social, material and spatial systems. Theodore Spyropoulos provides an overview of the field and discusses how it has been developed by the Design Research Lab (DRL) at the Architectural Association into an ‘Adaptive Ecologies’ agenda. In the context of parametric urbanism, the DRL has explored models of living through behavioural patterns found in nature, examining the role of the singular and the collective. Copyright © 2009 John Wiley & Sons, Ltd. 相似文献
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Mark Morris 《Architectural Design》2013,83(5):20-27
In the mid-1950s, a group of young faculty at the University of Texas School of Architecture in Austin - aka the Texas Rangers - entertained themselves with weekly sessions of a sophisticated, collective drawing game, ‘Dot-the-Dot’, in which there was an emphasis on inventive fluency in hand drawing as well as an innate knowledge of historic European city plans. What happened when Mark Morris , Visiting Associate Professor at Cornell University, decided in a design studio to ask present-day students to revive the game? 相似文献
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Gregory Marinic 《Architectural Design》2013,83(3):94-99
Architect and educator Gregory Marinic describes how the 21st century is witnessing the rise of a new utopianism through landscape/architectural interventions that pursue the possibilities of ‘ersatz utopias within our quotidian world’. He illustrates this with his own collaborative works and competition entries for d3, an art-architecture stewardship programme based in New York of which he is director. 相似文献