彼得·纽马克的交际翻译和语义翻译述析

彼得·纽马克的交际翻译和语义翻译为不同种类的文本翻译提供了理想的翻译方法。两者的区别主要体现在译语的表达形式上。语义翻译要求译文接近原文的形式,在结构和词序安排上力求贴近原文;交际翻译则注重译文读者的理解和反应,即信息传递的效果。交际翻译要求译者重新组织语言结构,以使译文地道顺畅。     

Learning from designing the RoboFesta—Blue Peter robots

Can children and adults learn anything from building robots? In 2001 we ran a robot design competition with the BBC TelevisionBlue Peter, program. Some 32 000 children, aged between 5 and 16 years, submitted paper designs. We built prototypes of the four winners' robots for a Robot Design MasterClass at the London Science Museum. It is widely believed that across the curriculum, robotics is a powerful force in motivating education. We ask what the children learned from the robot design process. Our answer is that they learned many things, both inside and outside the science and technology curriculum.     

彼得·卒姆托的材料观念及其影响下的建筑设计方法初探

彼得·卒姆托对建造材料的精准把握以及诗性塑造是其作品成功原因之一。本文试图通过分析其材料观念的核心原则以及此观念在场地、空间、建造三向维度上的表现，探索卒姆托的材料观念对其建筑设计方法的影响。     

Electric transport properties of rare earth doped YbxCa1-xMnO3 ceramics (part I: Optimization of ceramic processing)

A comprehensive study was performed in order to find the effect of different calcination and sintering conditions on the physical properties of calcium manganite ceramics in dependence of temperature T and partial pressure of oxygen p(O₂). The eventual formation of oxygen vacancies during sintering was investigated and the results were confirmed by monitoring the release of oxygen using a ZrO₂ oxygen sensor. The phase transition behavior was studied using thermogravimetric analysis (TGA) in a wide range of p(O₂) ≈ 10^?1 MPa down to 10^-19 MPa at high temperatures accompanied by dilatometry- and XRD-measurements. Furthermore, the present study reveals for the first time a way for reducing and preventing crack formation that may occur during sintering. The present systematic research provides essential fundamental information before performing electrical measurements necessary in order to understand important factors about charge carriers and electrical transport mechanism.     

Color of absence and presence: Reconsidering black in architecture

Abstract: This article explores the effects of using black on spatial experience by means of phenomenological analysis of its architectural examples with a special focus on Serpentine Gallery Pavilion designed by Peter Zumthor. Contrary to the growing interest in the color in contemporary architecture, black rarely found a place in architectural history and in studies on color design. Whereas, the distinct achromatic qualities of the color that appear highly self‐contradictory swinging back and forth from absence to presence cover a wide range of potentials to be used in architectural design. Through insights delved into the spatial experience constructed around these qualities, this paper attempts to analyze how black is used as a design element in built environments. This analysis revolves around Zumthor s pavilion, which stood as a uniform black box on the expanse of green grass of London Kensington Gardens for more than three months in 2011. Encompassing various oppositions, the box built to surround a hortus conclusus, an enclosed garden inside, provided its visitors with a unique spatial experience depending predominantly on the combination of its form, tectonics and the qualities of its color, black. The phenomenological analysis of these qualities manifests that the architect utilized the contradictory characteristics of the color intentionally in order to create a complex and manifold spatial experience for visitors in and outside the box. In an interplay of absence and presence, momentary crystallizations of the vision of black provide architects with uncharted opportunities for creative use of color in the design of built environments. © 2016 Wiley Periodicals, Inc. Col Res Appl, 42, 378–387, 2017     

Built Conservation and the Unfinished Fabrics of Time

Differentiating between the static impulse to preserve and the more open-ended and imaginative process of conservation, Federica Goffi presents a building as ‘a fabric that, even when complete, is unfinished and open to change’. Associate Professor and Associate Director of Graduate Programs at the Azrieli School of Architecture and Urbanism at Carleton University in Ottawa, Goffi has written widely on the topic of time, particularly taking St Peter's in the Vatican by way of example.     

Architectural Patents and Open-Source Architectures: The Globalisation of Spatial Design Innovations (or Learning from ‘E99’)

Patents are the strongest form of intellectual property rights available internationally, so far unbeaten by open source as a body of innovation and know-how. Mark Garcia , senior lecturer in the Department of Architecture & Landscape at the University of Greenwich, London, here considers the pros and cons of the patent system for architects in the digital age: from issues over patent categorisation by type, to possibilities of micro-royalties through the capacity of design software to track every stage of input from multiple contributors.     

No More Stopping

The dissolution of the conventional breaking points in the construction and completion phases of a building's delivery has blurred ‘the distinction between the production of design intent and the transmission of information’. Here Richard Garber , Director of the School of Architecture at the New Jersey Institute of Technology (NJIT), advocates that architects should use this as an opportunity to widen their remit, gaining agency and with it responsibility and the financial rewards to practice. Here he draws from the examples of UNStudio, GLUCK+ and his own New-York based practice, GRO Architects.     

Prejudicial Narratives: Building Tomorrow's World Today

Film production requires world building: the power to visualise and bring to life narrative through a film's total environment. This is often entirely speculative, imagining alternative or future worlds. Here, Alex McDowell , acclaimed British production designer, producer and Professor at the University of Southern California (USC) describes his world-building, narrative approach to production design, which he consolidated in the Steven Spielberg film Minority Report (2002) that envisioned Washington DC in the year 2050. The possibilities of this storytelling technique are demonstrated by its transference into real-life projects, such as the immersive model that his production company, 5D GlobalStudio, developed for Al Baydha, a Bedouin village in Saudi Arabia.