论《巴黎圣母院》的人物对照艺术

《巴黎圣母院》始终贯穿了雨果在《（克伦威尔）序言》中所提出的美学原则。从整部作品的对照来看，人物形象对照是《巴黎圣母院》对照艺术的精髓，因此雨果提出的美学原则在小说人物形象塑造上得到了忠实的体现。雨果运用多样手法，通过小说人物之间，人物自身美与丑、善与恶、真与假的对比，组织丰富多变的情节，塑造性格鲜明的人物形象，借助于鲜明、强烈的对比手法，表现了作者的人道主义思想。

Discussing on the arts of contrast of characters by Notre- Dame de Paris

Notre-Dame de Paris （Cathedral of Notre Dame,Paris） runs through the principles of aesthetics,which was put forward by Victor Hugo in his Pologue of Cromwell From the contrast of the whole work.The image contrast is the soul of the contrast art. Therefore the principle of aesthetics was fully embodied in shaping the image of the characters. Various means were employed to organize the plot in which the contrast between the characters, between the beauty and disgrace, kindness and evil , true and false of the characters themselves were reviewed. The writer＇s humanitarianism thoughts in this work was shown by shaping the impressive characters through the means of sharp contrast.