| 论“中国符法艺术”的国学地位 |
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| 引用本文： | 龚鹏程,魏明生. 论“中国符法艺术”的国学地位[J]. 成都电子机械高等专科学校学报, 2016, 0(1): 27-31. DOI: 10.13542/j.cnki.51-1747/tn.2016.01.007 |
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| 作者姓名： | 龚鹏程 魏明生 |
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| 作者单位： | 1. 北京大学国学院,北京,100871;2. 中共四川省委党史研究室,成都,610031 |
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| 摘 要： | “中国符法艺术”是以原始符号为基本元素，以点线组合表达一定心理冲动，追求返朴归真的原生态艺术形式，与中国历史、经学、音乐、书法、医术、民俗、祭祀等关系密切。对符法艺术的研究与开发，为国学增添了新内容，填补了国学研究的空白。
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| 关 键 词： | 符法 国学 关系 地位 |
The Status of Chinese Traditional Culture in the Art of Chinese Character |
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| GONG Pengcheng,WEI Mingsheng. The Status of Chinese Traditional Culture in the Art of Chinese Character[J]. Journal of Chengdu Electromechanical College, 2016, 0(1): 27-31. DOI: 10.13542/j.cnki.51-1747/tn.2016.01.007 |
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| Authors: | GONG Pengcheng WEI Mingsheng |
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| Abstract: | “ Chinese character art” is based on the original symbol of the basic elements, to express a certain psychological impulse by the dotted line combination, the pursuit of art of the original art form, which has close relationship with the Chinese history, the classics, music, calligraphy, medicine, folk customs, and sacrifices.Research and development of the operator method art add Chinese learning new content, fill in the blank in the research on Chinese learning. |
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| Keywords: | operator method traditional sinology relation status |
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