浅谈稷山螺钿漆器的设计与制作

漆,是我们的先民早于世界发现并使用的涂料,漆器是由简单髹涂技法逐渐发展为使用多种材质表现文化艺术价值的多种髹漆技艺的集中展现。螺钿髹漆技法源自夏商,盛于西周,兴于唐宋,成于元明清,历代能工巧匠经过千年的传承,形成了具有代表性的非物质文化遗产,稷山螺钿漆器髹饰技艺就是其中之一。观古人器物的精和美,无非材质不变、工序不变,匠人的不计时日、持之以恒,把我们优秀的传统文化通过技艺、图案、器型等文化符号展现给后人,延续至今。为此,应该把传统工艺作为我们艺术创作的基础,传统文化作为我们艺术创作的主线,传统作品作为我们艺术创作的继承和展示。

On the design and manufacture of mother of Pearl lacquerware

paint, which was firstly found and used by Chinese ancestors in the world. Lacqerware was developed from simple to complex painting technique by using versatile materials to present ancient cultural art value. The art of mother-of-pearl inlay of Chinese lacqur, which originated on Xia-Shang dynasty, flourishedd on Tang-Song dynasty and prospered in Yuan-Ming-Qing dynasty, was inherited by skilled craftsmen in history and gradually formed typical intangible cultural heritage. The art of JiShan mother-of-pearl inlay is one of the heritage. Ancient craftsmen had made graceful and beautiful implements of paint by selection of material, reasonable process, persistent, timeless effort, and inherited distinguished culture from one generation to next by means of cultural symbols including craft, pattern and design. We should take traditional art as foundation, traditional culture as main clue and traditional artistic works as heritage and display in our art creation.