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再现自然——仿古砖艺术设计的本质
引用本文:郭强.再现自然——仿古砖艺术设计的本质[J].中国陶瓷工业,2007,14(4):34-36.
作者姓名:郭强
作者单位:北京服装学院艺术设计学院,100029
摘    要:仿古砖与抛光砖、瓷片相比,它更接近于“自然”的状态。仿古砖的艺术设计就是追求自然,追求一种自然的状态,而这种追求暗合了中国人的审美观念与自然观,因此再现自然是仿古砖艺术设计的本质。一切与“自然”有关的物质或非物质,都是仿古砖设计的方向和表现对象与内容。

关 键 词:仿古砖  艺术设计  自然  审美观念  设计方向  方法
文章编号:1006-2874(2007)04-0034-03
收稿时间:2007-04-01
修稿时间:2007-04-01

REPRESENTATION OF NATURE-ESSENCE OF THE ART DESIGN FOR ANTIQUE IMITATION TILES
Guo Qiang.REPRESENTATION OF NATURE-ESSENCE OF THE ART DESIGN FOR ANTIQUE IMITATION TILES[J].China Ceramic Industry,2007,14(4):34-36.
Authors:Guo Qiang
Affiliation:School of Art and Design, Beijing Institute of Clothing Technology, Beijing 100029
Abstract:Compared with polished tiles and porcelain bricks, antique imitation tiles are closer to the natural state of earth. The pursuit of the art design for antique imitation tiles is a return to nature, a retum of a primitive state without any affection. This pursuit is coincidental with Chinese traditional aesthetics and conception of nature. Therefore, representation of nature is the essence of the art design for antique imitation tiles. Everything related to nature, material or non-material, can afford directions, subjects and motifs for the art design for antique imitation tiles.
Keywords:antique imitation tile  art design  nature  aesthetics  design direction  method
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