| 圆明园夹镜鸣琴意象解析 |
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| 引用本文： | 蔡燕丹,朱 蕾. 圆明园夹镜鸣琴意象解析[J]. 中国园林, 2022, 38(11): 140-144 |
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| 作者姓名： | 蔡燕丹 朱 蕾 |
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| 作者单位： | 天津大学建筑历史与理论研究所 |
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| 摘 要： | 圆明园四十景图中，“夹镜鸣琴”的构图非常特别，画面大量留白，与其余建筑景物密集的诸景图咏大相径庭。从景题解释着手，综合御制诗与样式雷图档等文献资料，结合遗址调查，论证“夹镜”与“鸣琴”的意象及其相生关系，从而探寻“夹镜鸣琴”略施笔墨而跻身四十景的高超点景手法。
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| 关 键 词： | 风景园林 圆明园 夹镜鸣琴 园林意象 点景 |
Imagery Analysis of Jiajing-Mingqin in Yuanmingyuan |
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| CAI Yandan,ZHU Lei. Imagery Analysis of Jiajing-Mingqin in Yuanmingyuan[J]. Chinese Landscape Architecture, 2022, 38(11): 140-144 |
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| Authors: | CAI Yandan ZHU Lei |
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| Abstract: | The composition of the Jiajing-Mingqin scene is verydistinctive in the 40 Scenes of Yuanmingyuan. There is a lot ofblank left, which is quite different from other scenes denselypopulated with buildings. This study begins with the interpretationof the name of the scene and demonstrates the imagery andrelationship between Jiajing and Mingqin with the imperial poems,Yangshi Lei archives, other documents and the site investigation, toexplore the superb technique of Jiajing-Mingqin. |
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| Keywords: | landscape architecture Yuanmingyuan Jiajing-Mingqin garden imagery titling scenic spots |
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