关于中国设计境界说的美学思考

目的探讨设计从"有我之境"到"无我之境"的过程中,物境、情境、意境理论在现代设计中的价值认知与应用策略。方法通过对设计中"三层境界"的研究,明确其与设计本质的关系;通过追寻"物境"、"情境"和"意境"的层阶关系,及其在设计中的运用和体现,从物境下的"有我之境"至情境下的"物我观照"、再到意境下的"无我之境"。结论当今时代设计的消费浪潮背景下,寻求设计的意境,主张从设计的"有我之境"到"无我之境"升华,具有设计伦理意义。这种设计思想与实践对于今后设计发展具有超前性和先验性。从"境界说"概念、以及物境"用思"、情境"驰思"、意境"而思之于心,则得其真矣"的研究,寻求设计中"有我之境"到"无我之境"的启示。

Cultural Connotation of Self and Selfless in Art Design

It studies the process from self to selfless in art design and the value recognition and application strategy of the material, emotion and imagery contexts in modern design. The aim is to clarify the relationship between the three contexts and design itself and seek the tier in the three contexts from material self to reflection of self in emotion and to selfless in imagery. Three contexts in design are comparable to those in poetry. Design begins with the material context and combines thoughts with design materials to seek perfect union in imagery when material and self merge into oneness. The search for self to selfless in design has ethical implications for design in the present day which is characterized by consumerism. It is both progressive and existential. It will study the concept and provide implications for art design from self to selfless.