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感性纵情与理性敛情——从《沉沦》和《迟桂花》看郁达夫前后期的创作风格
引用本文:吴文权. 感性纵情与理性敛情——从《沉沦》和《迟桂花》看郁达夫前后期的创作风格[J]. 重庆理工大学学报(自然科学版), 2005, 19(7): 122-125
作者姓名:吴文权
作者单位:四川外语学院研究生部,重庆400031
摘    要:《沉沦》与《迟桂花》是郁达夫前后期的两部代表性小说,这两部作品反映出作者不同的写作风格。《沉沦》的价值体现为作者的时代性使命感,大胆探索人的欲望与传统伦理的冲突,而非文学本身;而《迟桂花》更具有经久不衰的文学美感。用比较的方法对这两部作品进行分析,可以对郁达夫两部作品的地位进行价值重估。

关 键 词:感性纵情 理性敛情 创作风格 《沉沦》 《迟桂花》
文章编号:1671-0924(2005)07-0122-04
收稿时间:2005-01-13
修稿时间:2005-01-13

Perceptual Indulgence and Rational Restraint of Feelings--on the writing style of Yu Dafu in the later stage of life in the light of "Depravity" and "Sweet-scented Osmanthus in Belated Bloom"
Wu WenQuan. Perceptual Indulgence and Rational Restraint of Feelings--on the writing style of Yu Dafu in the later stage of life in the light of "Depravity" and "Sweet-scented Osmanthus in Belated Bloom"[J]. Journal of Chongqing University of Technology(Natural Science), 2005, 19(7): 122-125
Authors:Wu WenQuan
Abstract:"Depravity"and "Sweet-scented Osmanthus in Belated Bloom" are the two representative novels of Yu Dafu's in his earlier stage and later stage of writing, which reflect the writer's writing styles. The value of Depravity lies in the author's sense of mission of times, his fearless exploration for the conflicts between human desires and traditional ethnics rather than literature itself, while Sweet-scented Osmanthus in Belated Bloom possesses more lasting literary aesthetic feelings. This paper carries out comparative analysis on these two novels so as to re-estimate the value and position of the two works of Yu Dafu's.
Keywords:perceptual indulgence of feelings,rational restraint of feelings,writing style,"  Depravit"  ,"  Sweet-scented Osmanthus in Belated Bloom"  
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