| 明末清初民窑青花瓷“逸品”艺术风格与内涵解析 |
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| 引用本文： | 董伟,吴小红.明末清初民窑青花瓷“逸品”艺术风格与内涵解析[J].中国陶瓷,2011(4). |
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| 作者姓名： | 董伟 吴小红 |
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| 作者单位： | 中国轻工业陶瓷研究所;景德镇陶瓷学院; |
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| 摘 要： | 逸品说为中国传统艺术理论最重要观点之一,在明末清初时发展至一个新阶段,并对明末清初民窑青花瓷产生极为深远的影响。明末清初民窑青花瓷呈现出鲜明的逸品艺术风格特色,并具有丰富的思想文化内涵。
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| 关 键 词： | 明末清初 民窑青花瓷 逸品 艺术风格 内涵 |
THE ANALYSIS OF THE ARTISTIC STYLE AND THE CONNOTATION OF IPPIN OF BLUE-AND-WHITE PORCELAIN FIRED IN THE FOLK KILNS DURING THE LATE MING AND EARLY QING |
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| Dong wei,Wu Xiaohong.THE ANALYSIS OF THE ARTISTIC STYLE AND THE CONNOTATION OF IPPIN OF BLUE-AND-WHITE PORCELAIN FIRED IN THE FOLK KILNS DURING THE LATE MING AND EARLY QING[J].China Ceramics,2011(4). |
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| Authors: | Dong wei Wu Xiaohong |
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| Affiliation: | Dong wei1,Wu Xiaohong2(1Ceramic Research Institute of Light Industry of China,Jingdezhen 333000,2Jingdezhen Ceramic Institute,Jingdezhen 333000) |
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| Abstract: | The theory of Ippin is one of the most important viewpoints in the theory of Chinese traditional arts.During the late Ming and early Qing,it developed into a new stage and had a deep effect on blue-and-white porcelain fired in the folk kilns at that time which presented a sharp artistic style of Ippin with rich ideological and cultural connotations. |
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| Keywords: | the late Ming and early Qing blue-and-white porcelain fired in the folk kilns artistic style connotation |
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