| 浅淡粉彩花鸟画的表现形式 |
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| 引用本文： | 黄萍,廖志英.浅淡粉彩花鸟画的表现形式[J].中国陶瓷,2011(7). |
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| 作者姓名： | 黄萍 廖志英 |
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| 作者单位： | 景德镇高等专科学校; |
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| 摘 要： | 以工笔重彩为主要形式的粉彩花鸟画,自清康熙、雍正、乾隆产生并成熟以来,在表现形式和操作技法方面,积累了许多宝贵的经验。笔者从长期的创作实践中体会到:一件成功的艺术作品,除了技巧的熟练运用,装饰题材、装饰对象的形体如何与表现形式相得益彰,显得十分重要。
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| 关 键 词： | 粉彩 花鸟瓷画 表现形式 |
ON THE MANIFESTATION OF FLOWER-BIRD PAINTING IN FAMILLE ROSE |
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| Huang Ping,Liao Zhiying.ON THE MANIFESTATION OF FLOWER-BIRD PAINTING IN FAMILLE ROSE[J].China Ceramics,2011(7). |
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| Authors: | Huang Ping Liao Zhiying |
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| Affiliation: | Huang Ping,Liao Zhiying(Jingdezhen Comprehensive College,Jingdezhen 333000) |
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| Abstract: | Famille rose flower-bird painting with exact delineation and enriched colors generated and developed during the dynasties of Kangxi,Yongzheng and Qianlong.After long-term development,the painting has accumulated valuable experiences in manifestation and techniques.After long-term creative practice,the author believes besides skills proficiency,how to integrate the decorative themes and the shape of decorative objects with the manifestation plays a very important role in creating a successful artistic work. |
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| Keywords: | Famille rose flower-bird porcelain painting manifestation |
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