| 乾隆御制釉上彩母子图的文化解读 |
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| 引用本文： | 王屹,王莹.乾隆御制釉上彩母子图的文化解读[J].中国陶瓷,2011(6). |
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| 作者姓名： | 王屹 王莹 |
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| 作者单位： | 景德镇陶瓷学院; |
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| 摘 要： | 在乾隆御制釉上彩出现为数不少的西洋式母子图题材,这类题材在形式上既有强烈的西洋特点,又融入了部分的中国传统文化因素。本文试图通过对这类釉上彩西洋式母子图题材的分析,来解读其背后所隐涵的东西方文化在18世纪的碰撞与融合,尤其是耶稣会士希望通过合儒来达到传播天主教所做出的努力。
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| 关 键 词： | 母子图 釉上彩 耶稣会士 合儒 |
THE CULTURAL MEANINGS OF WESTERNIZED MOTHER AND SON THEME DECORATED ON QIANLING COURT PAINTED ENAMEL PORCELAIN |
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| Wang Yi,Wang Ying.THE CULTURAL MEANINGS OF WESTERNIZED MOTHER AND SON THEME DECORATED ON QIANLING COURT PAINTED ENAMEL PORCELAIN[J].China Ceramics,2011(6). |
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| Authors: | Wang Yi Wang Ying |
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| Affiliation: | Wang Yi,Wang Ying(Jingdezhen Ceramic Institute,Jingdezhen 333000) |
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| Abstract: | During Qianlong reign,there are a number of westernized mother and son theme appears on court painted enamel porcelain.Such kind of decorative theme not only shows a strong western style,but also shares some Chinese traditional character.This article mainly focuses on exploring the collision and fusion between eastern and western culture especially the linking Confucianism work made by Jesuit missionaries,through analyzing the theme of mother and son on court painted enamel porcelain. |
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| Keywords: | mother and son theme painted enamel porcelain Jesuit missionaries linking Confucianism |
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