| 宋代哥窑瓷器的“分形”解读 |
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| 引用本文： | 谢治. 宋代哥窑瓷器的“分形”解读[J]. 中国陶瓷, 2011, 0(8) |
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| 作者姓名： | 谢治 |
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| 作者单位： | 华南理工大学设计学院; |
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| 摘 要： | 宋代哥窑瓷器釉面上出现的开片是中国陶瓷史上成功地将偶然产生的效果运用到陶瓷装饰上的一例。它与曼德布罗特(B.B.Mandelbrot)提出的分形理论中的自相似性却不谋而合。这里所说的分形的内涵,即局部与整体之间在形态上的相似,或者说从整体中分裂出来的局部能够体现整体的主要特征,它是我们从整体上的自相似性来认识传统陶瓷艺术中所蕴含的美学特征的一个角度。研究哥窑瓷器釉面的开片揭示了哥窑瓷器的部分艺术特征,但它还有着无可争辩的另一科学解读。
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| 关 键 词： | 宋代哥窑 开片 分形 分形艺术 |
FRACTAL INTERPRETATION OF GE-KILN OF THE SONG DYNASTY |
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| Xie Zhi. FRACTAL INTERPRETATION OF GE-KILN OF THE SONG DYNASTY[J]. China Ceramics, 2011, 0(8) |
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| Authors: | Xie Zhi |
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| Affiliation: | Xie Zhi(School of Design,South China University of Technology,Guangzhou 510006) |
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| Abstract: | TheGe-kilnof the Song dynasty appearCrackleon the glaze layer is successfully will incidental effect applied to the case of ceramic decoration in the history of Chinese Pottery and Porcelain,but it again coincide with B.B.Mandelbrot proposedFractaltheory of self-similarity alike.Which are Fractalmeaning,Meaning that local form and overall form similar,or from the whole dissociate himself can reflect integral part of the main characteristic,It also from the overall level of self-similarity to recognize the t... |
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| Keywords: | Ge-kilnof the Song dynasty crackle fractal fractal art |
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