| 基于“技术—艺术”思维的中国动画造型设计 |
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| 引用本文： | 米高峰,周红亚.基于“技术—艺术”思维的中国动画造型设计[J].西北轻工业学院学报,2012(3):127-130. |
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| 作者姓名： | 米高峰 周红亚 |
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| 作者单位： | 陕西科技大学设计与艺术学院 |
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| 基金项目： | 国家社科基金项目(11XMZ032);陕西科技大学人文社科基金项目(ZX11-41) |
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| 摘 要： | 动画造型设计,是动画创作中非常重要的前期工作,其质量的优劣直接关系到动画作品的观赏效果,以及后续的商业系列开发.中国动画角色设计,伴随着时代的发展,跨越了不同的造型阶段.在新的形势下,以商业化的"技术—艺术"模式,统筹技术性因素与艺术表现形式之间的关系,去主动选择适应市场需求,这对中国动画产业的发展具有积极的现实意义.
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| 关 键 词： | 动画角色 造型设计 技术因素 艺术特征 技术—艺术 |
Technology-art mode of Chinese character animation design |
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| MI Gao-feng,ZHOU Hong-ya.Technology-art mode of Chinese character animation design[J].Journal of Northwest University of Light Industry,2012(3):127-130. |
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| Authors: | MI Gao-feng ZHOU Hong-ya |
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| Affiliation: | (College of Design and Art,Shaanxi University of Science & Technology,Xi′an 710021,China) |
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| Abstract: | Character animation design is very important in the preliminary work,its quality will directly affect the merits of viewing the film and the subsequent series of commercial development.Chinese animation character design along with the development of the times across the different modeling stages.In the new situation,the commercial "technology-art" mode of co-ordination of technical factors and the relationship between artistic expression and actively adapt to market demand,the development of China’s animation industry has a positive and practical significance. |
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| Keywords: | pulp bleaching character design technical factors artistic features technology-art |
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