古刹五当召建筑规划艺术谈 |
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引用本文: | 郭兆儒,;张献梅. 古刹五当召建筑规划艺术谈[J]. 河南机电高等专科学校学报, 2014, 0(3): 52-54 |
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作者姓名: | 郭兆儒, 张献梅 |
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作者单位: | [1]河南大学土木建筑学院,河南开封475000; [2]济源职业技术学院,河南济源459000 |
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摘 要: | 五当召为内蒙古地区规模最大的藏传佛教寺庙,纯藏式建筑风格。召庙选址符合中国传统的风水意象。整个建筑群布局虽顺应山势、布局自由,但空间上依然有一条无形的轴线将它们理性地统一在一起;又以主殿为中心,层层向外,表达着藏传佛教宗旨中"道场""聚集"的含义;两层转经道也是寺院内各单体建筑的联系纽带,使建筑功能与宗教仪式自然完美结合起来。
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关 键 词: | 藏传佛教 格鲁派 藏式建筑 |
Architectural Planning Arts of Wudang Lama Temple in Yinshan |
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Affiliation: | GUO Zhao-ru,et al (Institute of civil Engineering and Construction of Henan University, Kaifeng 475000,China) |
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Abstract: | Wudangzhao is the largest Tibetan Buddhist temples in Inner Mongolia, Pure Tibetan ar-chitectural style. Temple site is China traditional geomancy imagery. Although the layout of the build- ings follows the mountains, free space layout, but there is still an invisible axis; and the temple of the Lord as the center, outward layers, expressing in Tibetan Buddhism tenet "Dojo", "aggregation" mean- ing; two layers Circumambulation are the link of each single building, the building function and religious ceremony are combinated well. |
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Keywords: | tibetan buddhism sect of georgia tibetan architecture |
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