| 论强烈的消失 |
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| 引用本文： | 格雷格·林,朱亦民.论强烈的消失[J].世界建筑,2002(10):21-23. |
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| 作者姓名： | 格雷格·林 朱亦民 |
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| 作者单位： | 美国加州大学
(格雷格·林),获荷兰贝尔拉格建筑学院(朱亦民) |
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| 摘 要： | 维尔·阿雷兹的策略与“消失”和“可塑性”这两个当代建筑的话题有关。他的城市的建筑学可被称为“强烈的文脉主义”,也就是通过对抗和融入环境中创造潜能和建筑的柔韧性。他选择了直线型的形式语言,但其作品中形式系统的变形来自于德鲁兹“根茎”的概念及其对多重性的解释。
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| 关 键 词： | 建筑物 建筑环境 建筑艺术 建筑作品 |
CRITICISM:INTENSIVE DISAPPEARANCE |
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| Greg Lynn.CRITICISM:INTENSIVE DISAPPEARANCE[J].World Architecture,2002(10):21-23. |
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| Authors: | Greg Lynn |
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| Abstract: | Wiel Arets' strategy addresses twomain issues of contemporary architecturaldiscourse: disappearance and pliability. Hisurbanism architecture may be called intensivecontextualism which means creatingpotentialities and pliability through conflictionand incorporation . His work opts for the rectilineallogic yet the deformed system in his projects isinitiated from the concept of "rhizome"introduced by Gilles Deleuze and hisinterpretation of multitude. |
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| Keywords: | Intensity Disappearance Multitude Rhizome Translucency |
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