刘三姐文化在公共艺术研发中的应用探究——以宜州市为例

当前城市景观13渐趋同，其主要根源是设计脱离了地域文化的独特性。公共艺术作为地域文化的载体应依托环境集中反映其当地的历史文化。宜州市有着非常丰富的文化资源，刘三姐文化虽在国内外产生广泛的影响，但呈现在城市公共艺术中缺乏整体规划，致使开发利用率低，城市形象特色鲜明度不够等现状。城市公共艺术是体现地域文化的载体，承载着与周围环境独特的魅力。所以，以刘三姐文化为突破口进行宜州市公共艺术的开发探索与城市形象策略的提升是完全必要的，这需要凝练刘三姐文化品牌，以突出文化内涵为主线，构建以城市公共艺术雕塑（群）为主题系列，形成刘三姐文化雕塑（群）景观的若干空间组团等具体的实施构思。

On Liu Sanjie Culture in the Development of Public Art Taking Yizhou City as an Example

the current urban landscape is convergence, and its main source is the design from the regional culture＇s uniqueness. As a carrier of the regional culture, public art should be based on environment reflects the local history and culture. YiZhouShi has a very rich cultura＇s resources, liu sanjie culture is widespread influence at home and abroad, but the present lack of overall planning in the urban public art, the development and utilization is low, the city＇s image characteristic such as insufficient current situation. Urban public art is the carrier of regional culture, carrying the unique charm with the surrounding environment. So YiZhouShi in liu sanjie culture as the breakthrough point for the development of public art exploration and city image strategy promotion is necessary, it needs to be concise liu saniie culture brand, to highlight the cultural connotation as the main line, to build with urban public art sculpture series （group） as the theme, the formation of liu saniie culture sculpture Igroup} landscape space for several groups such as the implementation of the specific ideas.