| 略论道家审美中的故宫建筑设计及启示 |
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| 引用本文： | 梁向军,钟虹滨. 略论道家审美中的故宫建筑设计及启示[J]. 湖南工业职业技术学院学报, 2004, 4(4): 81-83 |
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| 作者姓名： | 梁向军 钟虹滨 |
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| 作者单位： | 中南大学艺术学院,湖南,长沙,410083;中南大学艺术学院,湖南,长沙,410083 |
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| 摘 要： | 道家伦理是中国土生土长的人伦化，道家的审美也最具中华民族的特色。明清时期的北京故宫作为宫殿建筑，代表着当时最高的建筑设计水平和美学思想，道家的审美在其身上有着充分的体现。详尽地探析道家审美思想对故宫建筑的影响与制约，得出启示。
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| 关 键 词： | 道家 审美 天人合一 无为 故宫建筑 |
| 文章编号： | 1671-5004(2004)-04-081-03 |
| 修稿时间： | 2004-09-06 |
Inquiring Into Design and Enlightenment of Former Imperial Palace Construction in Taoistic Aesthetics |
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| LIANG Xiang-jun,ZHONG Hong-bin. Inquiring Into Design and Enlightenment of Former Imperial Palace Construction in Taoistic Aesthetics[J]. Journal of Hunan Industry Polytechnic, 2004, 4(4): 81-83 |
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| Authors: | LIANG Xiang-jun ZHONG Hong-bin |
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| Abstract: | Taoistic ethics is native ethical relationship culture of China, aesthetics of Taoism also has characteristics of the Chinese nationality in the period of Ming Dynasty and Qing Dynasty. Beijing Former Imperial Palace as palace construction, representing the highest construction level, aesthetic thoughts and aesthetics of Taoism. Inquiring into Former Imperial Palace influenced and restrained by Taoism aesthetics thoughts,enlightenment is obtained. |
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| Keywords: | Taoism Aesthetics Unity of human and universe Doctrine of noninterference Former Imperial Palace. |
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