明清古籍版刻插图中“园林图像”的空间形式与图绘结构研究

从“神游型”的园林图像空间形式、“风景如画”的图绘结构表达、喜龙仁《中国园林》中的版刻插图共三个部分探讨了明清古籍版刻插图中“园林图像”的空间形式与图绘结构,并聚焦于《玉茗堂还魂记》与《西厢记》的版刻插图进行艺术形式分析,认为“园林版画”即可视作一种独具中国文化特质的“景观设计图稿”,即明清古籍版刻插图中呈现的“园林图像”作为“纸上的园林”,是即时发生的历史风景图像,可成为景观艺术创造所根源的“设计文本库”,也就是黄裳所言的“历史学习的参考图谱”。

Research on the Spatial Form and Drawing Structure of"Garden Images"in the Engraving Illustrations of Ancient Books in Ming and Qing Dynasties

This paper discusses the spatial structure and graphic structure of"garden image"in ancient books of the Ming and Qing Dynasties from three parts:the spatial structure of"Visionary Journeys"garden image,the Picturesque graphic expression and the graphic illustration in Osvald Sirén's Gardens of China.It focuses on the artistic form analysis of the graphic illustrations in Yu Mingtang's Resurrection and Romance of the Western Chamber.That is,the"garden images"shown in the illustrations of ancient books in the Ming and Qing dynasties,as a"garden on paper",is an instant historical landscape image.It could become the"design text library",from which the creation of landscape art originates,and is also what Huang Shang called the"reference map of historical learning".