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音乐审美中主体和客体分析
引用本文:陈彤. 音乐审美中主体和客体分析[J]. 徐州工程学院学报, 2006, 21(4): 23-27
作者姓名:陈彤
作者单位:苏州教育学院,江苏,苏州,215002
摘    要:音乐审美关系具有价值关系的特征,并存在于审美主客体的协调之中。一方面,音乐审美客体将现实生活中的动态美作为内在的情感,经过抽象、提炼,升华为音乐情绪的动态形式;另一方面,在音乐审美主体的把握下,外在的音乐情绪的动态形式转化成为其内心情感的丰富体验。这种存在于音乐审美主客体之间的是一种双向的、动态的价值关系。客体的价值形式在主客体的协调、融合中不断提升和发展,而主体的审美意识也在与客体的交流中不断变化与丰富。

关 键 词:音乐美学  审美关系  价值关系  审美主体  审美客体
文章编号:1673-0704(2006)04-0023-05
收稿时间:2005-10-08
修稿时间:2005-10-08

The Subjective and Objective Analysis on Music Taste
CHEN Tong. The Subjective and Objective Analysis on Music Taste[J]. Journal of Xuzhou Istitute of Technology, 2006, 21(4): 23-27
Authors:CHEN Tong
Abstract:Music aesthetic relation has the feature of value relationship that coordinates between the subjective and objective.For one thing,the inner emotion in real life can be abstracted and sublimed into a dynamic form of music emotion.For another things,the outer music emotion can also converted into inner experience under circumstances of subjective music taste.This relationship between the subjective and objective is a bi-directional and dynamic relations.The objective value can be developed and upgraded in the coordination and incorporation of subjective,and the subjective taste can be continually converted and enriched.
Keywords:Music Taste  Aesthetic relationship  Value relation  Aesthetic subject  Aesthetic Object
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