明代书房书画置放原则探析 |
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引用本文: | 万越.明代书房书画置放原则探析[J].家具与室内装饰,2013(2):110-111. |
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作者姓名: | 万越 |
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作者单位: | 中南林业科技大学,湖南长沙410004 |
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摘 要: | 书画作为书房装饰的重要细成部分,不仅是满足书房的形式美、装饰美,更反映了当时社会的自然环境人文氛围,同时还体现了主人的品味修养。明代书房室内设计精美且陈设摆放考究,与书房家具搭配、与环境气氛融合、与空间结构配合和与主人性格品味相符等置放方式都影响着书画的摆放,这些置放方式也为观代明式风格书房装饰中书画的摆放提供了借鉴与指导。
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关 键 词: | 明代 书房 书画 置放原则 |
Discussion on the Arrangement Principles of Painting and Calligraphy in the Studies with Ming Dynasty Style |
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Abstract: | As an essential element of the study decoration, calligraphy and painting not only satisfies the formal beauty and the decorative beauty of a study, but reflects the natural environment and the cultural atmosphere of contemporary society as well. in addition, it shows owner's inner cultivation and taste.The Study at Ming Dynasty held exquisite design and fantastic arrangement. The way of how to set calligraphy and painting is influenced by several arrangement principles like, study lltmiture match-up, environment atmospheres, spatial structures and temperaments of the owner, which is clearly offers guides and retbrences for study calligraphy and painting ornaments of contemporary Ming Dynasty style. |
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Keywords: | Ming Dynasty Study Calligraphy and Painting Arrangement Principle |
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