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Too Good to Be True: The Survival of English Everyday PoMo
Authors:Kester Rattenbury
Abstract:‘Intelligent, eclectic, witty, profoundly humanistic, and keen to debunk an inflexible, elitist and dangerously authoritarian Modernism’: Kester Rattenbury evokes the spirit of early British Post-Modernism. She reminds us of how in the early 1980s it spearheaded a spirited community architecture that played a strategic role in protest against wholesale, motorway-led redevelopments and the survival of Convent Garden. Copyright © 2011 John Wiley & Sons, Ltd.
Keywords:Farrell and Partners  Embankment Place  London  1990  Covent Garden Housing Project (CGHP)  Newton Street Housing  Martin Lazenby  Martlett Court  Robert Venturi  Architecture magazine  Piers Gough  MVRDV  Peter Zumthor  William Hogarth  Alison and Peter Smithson  ‘But Today We Collect Ads’  ‘Bowellism’  Mike Webb  Furniture Manufacturer's Association Building  Archigram  James Stirling  Neue Staatsgalerie  John Outram  Michael Wilford  Wil Alsop  muf  FAT  The Language of Post-Modern Architecture  Robin Hood Gardens  Brutalism versus PoMo  Hardwick Hall  Humphry Repton  Venturi and Denise Scott Brown  High Tech  Philip Johnson's AT&T Corporate Headquarters  Aldo van Eyck  Unmarried Mothers' Home  Learning from Las Vegas  Bernard Rudofsky's Architecture Without Architects  Greater London Council (GLC)  Greenwich Village  Jane Jacobs  Prince of Wales  Ralph Erskine's Byker Wall  Comyn Ching Triangle  Terry Farrell  Clifton Nurseries  polycarbonate shed  Peter Palumbo  Mies van der Rohe  Mansion House  Embankment Place  National Gallery extension  Richard Rogers Partnership's Lloyd's of London  Foster + Partners' Hong Kong and Shanghai Bank  Dixon Jones  Jeremy Dixon  Carl Laubin  Royal Opera House Covent Garden  Tony Fretton  Lisson Gallery  Caruso St John's Arte Povera  New Art Gallery  Walsall  Nottingham Contemporary Arts Centre
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