The True Counterfeits of Banksy: Radical Walls of Complicity and Subversion期刊界 All Journals 搜尽天下杂志传播学术成果专业期刊搜索期刊信息化学术搜索

The True Counterfeits of Banksy: Radical Walls of Complicity and Subversion

Authors:	Eva Branscome

Abstract:	Tattoo or consummate object of consumption? Banksy's artwork has an uneasy status. It simultaneously has the power to subvert, questioning the conventions of the art world while potentially colluding with it. Eva Branscome explores the paradox of Banksy in the light of Post-Modernism. Copyright © 2011 John Wiley & Sons, Ltd.

Keywords:	Banksy, LARGE GRAFFITI SLOGAN (Some assembly required), IKEA, Croydon, 2009 Wallpaper graffiti, Regent's Canal, London ‘Banksy versus Bristol Museum’ City Museum and Art Gallery, Bristol stencil Jenny Holzer ‘high-street irony’ Norman Rockwell Cans Festival of urban art Wall and Piece five themes Tate Museum of Modern Art (MoMA) Street Cleaner I pledge allegiance to the bag ‘Simple intelligence testing’ Double yellow lines, Tower Hamlets Evening Standard Bethlehem New Orleans Hurricane Katrina Damien Hirst living animals canvas/wall performance art Hirst's Pharmaceutical Keep it Spotless Sotheby's Armoured Peace Dove, Palestine Homage to Keith Haring, Southwark One Nation under CCTV, Newman Street Arthur Danto Warhol's Brillo box Brit Art site-specific graffiti tourism Agitprop Dadaism Le Corbusier Hogarth Beardsley ‘subversion from within’