首页 | 本学科首页   官方微博 | 高级检索  
     


Baroque Exuberance: Frivolity or Disquiet
Authors:Robert Harbison
Abstract:Robert Harbison defines the Baroque in the 17th and early 18th centuries, which is so often characterised in contrast with the Renaissance by its excess and drama. In doing so, he challenges the reader to consider whether this artful style of subversion, tension, movement, gravity-defying feats and freedom was really one of whimsical frivolity or subversive disquiet. Copyright © 2010 John Wiley & Sons, Ltd.
Keywords:Bernardo Vittone  Santa Chiara  Bra  Piedmont  Italy  1741-2  Giovanni Battista Piranesi  Engraving of the ‘Basilica’ 6th-century Greek temple at Paestum  southern Italy  1778  Baroque  fireworks  the sensation of being there  then not being there  Bernini's Four Rivers  Trevi in Rome  Versailles  Sceaux  defiance of gravity  punctured domes and vaults of Guarino Guarini  Bernardo Vittone  Max Ophuls  Le plaisir (1952)  Madame de…  Letter from an Unknown Woman  Francesco Borromini  Sant' Ivo  Rome  1642-60  Santa Prisca  Taxco  Mexico  1750s  Palazzo di Propaganda  Fide  Rome  1662  focus on decay  Hans Sedlmayr  rapture attained by holding contradictions in tension  Mexican facades or retablos  Ecstasy of St Teresa (1652)  Blessed Ludovica Albertoni (1674)  San Carlino (1638-41)  anti-architectural effects in buildings  Frank Gehry's own house  Rem Koolhaas' new CCTV in Beijing  
设为首页 | 免责声明 | 关于勤云 | 加入收藏

Copyright©北京勤云科技发展有限公司  京ICP备09084417号