| 简论王铎书法美学思想 |
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| 引用本文： | 施国卿. 简论王铎书法美学思想[J]. 淮阴工学院学报, 2007, 16(4): 55-57 |
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| 作者姓名： | 施国卿 |
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| 作者单位： | 山东大学,文史哲研究院,济南,250100 |
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| 摘 要： | 王铎的书法美学思想以"尊传统、尚古风"为起点,独尊羲、献,并要求在学习古法的基础上进行创新。同时,推崇力之美,突破了传统的"中庸"藩篱,独树一帜。这也使得王铎的思想具有了反传统的意义,成为明清之际反抗封建传统的接力手。
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| 关 键 词： | 王铎 书法美学 反传统 |
| 文章编号： | 1009-7961（2007）04-0055-003 |
| 收稿时间： | 2007-01-20 |
| 修稿时间： | 2007-01-20 |
On Wang Duo's Calligraphy Aesthetics |
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| SHI Guo-qing. On Wang Duo's Calligraphy Aesthetics[J]. Journal of Huaiyin Institute of Technology, 2007, 16(4): 55-57 |
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| Authors: | SHI Guo-qing |
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| Affiliation: | Institute of Literature, History and Philosophy,Shandong University, Jinan, 250100, China |
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| Abstract: | Wang Duo's calligraphy aesthetics starts with the respect for tradition and ancientry.He not only took Wang Xi-zhi and Wang Xian-zhi as sole teachers,but also put the innovation into practice on the basis of the study of ancient calligraphy.At the same time,he praised highly the beauty of power,broke through the tie of tradition and developed a style of his own,which made his thought significant in the respect of opposing tradition.And therefore,he became the relay to be against the feudal tradition. |
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| Keywords: | Wang Duo calligraphy aesthetics anti-tradition |
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