试论"意境"与"隐秀"的关系

意境理论是唐以后诗歌理论中大量使用的一个概念,也是极具中华民族特色的文论范畴。在我国诗歌乃至其它抒情作品中,意境是最高的美学追求、而意境的创造则有赖于情与景、意与象的交融统一。要达到这种统一,就必须处理好"藏"与"露"、"显"与隐"的关系,即"隐秀"的关系。探讨了"隐秀"与"意境"理论的内在联系,揭示了"隐秀"理论对意境理论发展的基础作用。

The Effect of "Hiding and Beauty" to "Mood of Literal Work"

The theory of the mood of the poetry is a concept used largely after Tang Dynasty and a catogery with national traits of China.In poetry or work expressing one's emotion,the mood of the poetry is the highest-level aesthetical ideal.The mood of the poetry is an aesthetical space in which feeling is penetrated into scene and imagination is integrated with apperance.To attain the end,we have to make feeling and scene unified and to make meaning and image mingled.So we must treat appropriately the relation of "concealing"and "revealing"or"hiding"and "showing",i.e.the relation of "hiding"and "beauty".By interpreting the meaning of "the mood of the poetry"and "hiding"and "beauty",the anthor tries to show the relation and the effect of "hiding and beauty"to the formation of "the mood of the word