| 浅谈“虚”与中国画 |
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| 引用本文： | 薛书琴. 浅谈“虚”与中国画[J]. 数码设计:surface, 2008, 0(4): 194-196 |
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| 作者姓名： | 薛书琴 |
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| 作者单位： | 河南师范大学美术学院 |
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| 摘 要： | 与西方绘画的求"实"精神不同,中国绘画异常重视对"虚"的把握与运用,这源于中国绘画的哲学底蕴以及在此基础上产生的独特的审美趣味,本文从"观照方式"、"取象"、"用色"、"题跋"几个方面论述"虚"在中国画中的具体运用。
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| 关 键 词： | 虚 观照方式 取象 用色 题跋 |
Discuss on Impression Art and Chinese Painting |
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| XUE Shuqin. Discuss on Impression Art and Chinese Painting[J]. surface, 2008, 0(4): 194-196 |
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| Authors: | XUE Shuqin |
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| Abstract: | Different from the West Painting’s Objective reflection artistic conception,Chinese Painting attaches large importance to the mastering and utilization of Impression art,which rooted from the Chinese Painting’s philosophy and aesthetic conception based on it. This paper made a station about the utilization "ofImpression art"through the following four points:the way of observation and reflection,abstraction,use of color and short comments etc. on scrolls. |
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| Keywords: | Impression art the way of observation and reflection abstraction use of color short comments |
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