隋唐丝路文化传播中须弥座图像适应研究

须弥座经丝绸之路传入中国,象征须弥山宇宙空间观,在隋唐时期从塔座延伸至殿座,融入中国传统文化等级制度中。文章从文化传播的适应理论出发,研究隋唐丝路文化传播中须弥座作为媒介融合演进的文化表现,通过案例研究和类型分析其形制及纹饰的图像演变,进一步佐证丝路艺术呈现中国化和世俗化的融合趋势。须弥座在隋唐时期从塔座到殿座的适应表明,传播的载体和动力是影响文化适应的重要因素,佛塔为其发展演变提供传播媒介基础,涅槃学说的广泛传播为其奠定了文化基础。

Research on the adaptation of Sumeru Pedestal image in the communicationof Silk Road culture in Sui and Tang dynasties

Sumeru Pedestal was introduced into China through the Silk Road,symbolizing the concept of space of Sumeru Mountain,extending from the tower seat to the temple seat in Sui and Tang dynasties,and integrating into the traditional Chinese cultural hierarchy.Based on the adaptation theory of cultural communication,this paper studies the cultural expression of Sumeru Pedestal as a medium in the communication of Silk Road culture in Sui and Tang dynasties.Through case study and type analysis of the image evolution of its shape and decoration,it further proves that the Silk Road Art presents the integration trend of sinicization and secularization.The adaptation of Sumeru Pedestal from the tower seat to the temple seat in Sui and Tang dynasties shows that the carrier and power of communication is an important factor affecting the cultural adaptation;the stupa provides a medium foundation for its development and evolution,and the wide spread of Nirvana theory lays a cultural foundation.