| 垂足而坐的悬浮感-坐具设计语意的一种新表达 |
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| 引用本文： | 杨子倩.垂足而坐的悬浮感-坐具设计语意的一种新表达[J].家具与室内装饰,2011(10):42-43. |
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| 作者姓名： | 杨子倩 |
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| 作者单位： | 南京林业大学家具与工业设计学院; |
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| 基金项目： | 江苏高校优势学科建设工程资助项目(PAPD) |
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| 摘 要： | 文章明确了坐具设计语意依附于语境,表达文化伦理内涵的角色定位,并选取了垂足而坐的悬浮感这个语意表达入手,分三层次进行剖析解读,得到一些清晰的设计线索,并和电影文学作品中的语意意象进行融合贯通,大设计学科间的融合对坐具语意研究的提升及家具设计学科内涵和外沿的拓展起着积极作用.
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| 关 键 词： | 语意 悬浮 垂足而坐 表象的空间 |
A New Design Semantics to Chairs:Suspension feelings from Sitting with Foot Dropping |
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| Yang Ziqian.A New Design Semantics to Chairs:Suspension feelings from Sitting with Foot Dropping[J].Furniture & Interior Design,2011(10):42-43. |
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| Authors: | Yang Ziqian |
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| Affiliation: | Yang Ziqian |
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| Abstract: | The essay explicates that chairs design semantics adhere to product context,and expresses the role orientation of cultural ethic connotation.Starting from the semantics of suspension feelings from sitting with foot dropping,some clear design schemes are obtained by analysis and interpretation from three levels.By blending with the semantic images of movie literary works,big design disciplines？blending plays a positive role in the improvement of chairs design semantics study and development of connotation and extension of furniture design. |
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| Keywords: | Product Semantic Suspension Sitting with Foot Dropping Representation Space |
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