中国画的后现代思潮初探

后现代主义作为同后工业社会相适应的一种文化思潮,是随着现代主义的衰落而逐渐崛起的.后现代主义不仅仅是一种文化思潮,它已经变成了一种社会现象,渗透在我们生存的这个世界的每一个角落.中国画的后现代意识从传统的对工业、机械社会的反感到与现代科技的结合,也使手工与自然的价值再次被重视.于是,带有强烈现代化痕迹的特殊工具、特殊材料所体现出的特殊技法又成为后现代中国画的一个新的亮点.当代画家们已经使得中国画艺术进一步向世俗文化、消费文化和商品文化发展.应该看到,更强的兼容性是中国画在这场变革中发生变化的特征之一,而中国画的后现代思潮的到来是商品社会的需要,也是历史发展的必然.

Traditional Chinese Painting After Modern Art at the Beginning of Ideological Trend Searches

The purpose of this paper is to translate the contents of the same postmodernism,as a postindustrial society,to adapt to the culture of thought with the decline of modernism is gradually rising.Post-modernism is not just a cultural thought;it has become a social phenomenon.One can find its penetration in the world we live in every corner.Chinese paintings,from the traditional sense of post-modern industrial machinery,are an anti-social combination of modern methods and modern technology.It can also be attached to the hand and natural values again.Thus,with strong traces of modern special tools,special materials are a part of special post-modern techniques of Chinese painting,which have become a new bright spot.Chinese contemporary artists have created art to further secular culture,consumer culture,and cultural development.Greater compatibility with Chinese paintings will occur in the characteristic changes of this transformation.After the arrival of the modern Chinese painting,change and adaptability is inevitable in the historical development of ideas is the value the community's needs.