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Identification of vivianite,an unusual blue pigment,in a sixteenth century painting and its implications
Authors:António João Cruz  Erica Eires  Luís Dias  Teresa Desterro  Carla Rego
Affiliation:1. Instituto Politécnico de Tomar, Estrada da Serra, Tomar, Portugal;2. Laboratório HERCULES, Universidade de évora, Largo Marquês de Marialva 8, évora, Portugal;3. ARTIS‐IHA‐FLUL, Alameda da Universidade, Lisbon, Portugal;4. CIEBA‐FBAUL, Largo da Academia Nacional de Belas Artes, Lisbon, Portugal
Abstract:Vivianite, a blue pigment employed in the past practically only in Northern and Central Europe, but with very limited use, was identified in an early sixteenth century painting, stylistically with Flemish features, from a church in Portugal. The identification of this iron phosphate mineral was made by SEM‐EDS based on the atomic ratio between phosphorus and iron in layers of blue paint (area analysis) and in particles of these same layers (spot analysis). This painting, about which there is no document to prove its authorship, becomes the first case, known in detail, of a sixteenth century painting containing vivianite. Moreover, this find and the presence of a chalk ground, also identified, strongly support the hypothesis of being a Flemish painting.
Keywords:authorship  painting  provenance  SEM‐EDS  vivianite
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