| 浅谈现代漆画材质语言与图式 |
| |
| 引用本文： | 向师师. 浅谈现代漆画材质语言与图式[J]. 数码设计:surface, 2010, 0(4): 238-240 |
| |
| 作者姓名： | 向师师 |
| |
| 作者单位： | 四川美术学院 |
| |
| 摘 要： | 现代漆画材质语言"物性"的突破是现代漆画观念的转变。这个转变是"漆器式"图式向漆画图式的转变;是以造型为目的的图式向质料语言的图式的转变。它是从"质料之美"出发不再依赖于图像表达的转变;它是对"质料之美"的深度挖掘,且由质料语言呈现独具审美价值的图式。这些转变是对现代艺术表现方法的另一种补充。
|
| 关 键 词： | 现代漆画 材质语言 质料之美 图式转变 |
Viewpoints on the Language and Schematics of Modern Lacquer Painting Substance |
| |
| XIANG Shishi. Viewpoints on the Language and Schematics of Modern Lacquer Painting Substance[J]. surface, 2010, 0(4): 238-240 |
| |
| Authors: | XIANG Shishi |
| |
| Affiliation: | XIANG Shishi |
| |
| Abstract: | The breakthrough of the "substance" which originated from the language of modern lacquer painting materials,is great transformation based on the concept of modern Lacquer painting.This change is not just derived from the outer image,it converts the significance from the substancial language to vivid photograph.This diversification is an additional complement regarding to presentation of modern art. |
| |
| Keywords: | modern lacquer paniting substance language beauty of the material image transformation |
| 本文献已被 维普 等数据库收录！ |
