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南昌瓷板画—一个“移植”的民间传统
引用本文:刘爱华,艾亚玮.南昌瓷板画—一个“移植”的民间传统[J].中国陶瓷工业,2010,17(1):22-26.
作者姓名:刘爱华  艾亚玮
作者单位:1. 北京师范大学文学院,北京,100875
2. 江西师范大学美术学院,南昌,330027
基金项目:江西省高校人文社会科学研究项目 
摘    要:南昌瓷板画这一具百年传统的民间工艺,开始逐步走向衰微。探究其原因,除时代变迁影响外,自身亦存在很大问题。本文以"移植"为关键词,从媒介的"移植"、空间的"移植"和观念的"移植"三个方面阐述了南昌瓷板画的流变历程,并从瓷板画自身出发探讨了其衰微的内在原因。

关 键 词:南昌瓷板画  衰微  移植  流变

NANCHANG PORCELAIN PAINTING: A TRANSPLANT FOLK TRADITION
Liu Aihua,Ai Yawei.NANCHANG PORCELAIN PAINTING: A TRANSPLANT FOLK TRADITION[J].China Ceramic Industry,2010,17(1):22-26.
Authors:Liu Aihua  Ai Yawei
Affiliation:Liu Aihua Ai Yawei (1. School of Chinese Language and Literature, Beijing Normal University, Beijing 100875; 2. Academy of Fine Arts Jiangxi Normal University, Nanchang 330027)
Abstract:Nanchang porcelain painting is a folk handicraft that has a centuries-old tradition, and today it is declining gradually. Besides the effect of time, the craft has also a big problem by itself. This paper uses transplant as a keyword, describes the development of Nanchang porcelain painting from medium transplant, space transplant and concept transplant, and explores its own intrinsic reasons for declining from the porcelain painting itself.
Keywords:Nanchang porcelain painting  decline  transplant  history
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